Wyllard's Weird: A NovelBraddon, M. E. (Mary Elizabeth)
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Wyllard's Weird: A Novel
Braddon, M. E. (Mary Elizabeth)
Murder -- Fiction; Mystery and detective stories
Adolphe, the eldest, was distinguished for his etchings, and rose
from his delicate work upon a sheet of copper to receive the new
inmate. He was a big bearded fellow, with a mahogany complexion and
slouching shoulders, in manners and disposition as simple as a child.
Victor was a wood-engraver, who worked for Hachette on the Boulevard
Saint-Germain, hard by, and earned more money than any one else in the
family. Frédéric was the genius, a caricaturist. He drew for the _Petit
Journal_ and the _Vie Parisienne_, and devoted his days and nights
to the concoction of _bêtises_ for those papers. Ten years ago the
father had been on the high road to fame and fortune as a painter of
_genre_; but he had let other runners in the race go by him, somehow;
and now the family _pot-au-feu_ was supplied by the industry of the
children, while the father dreamed his day-dreams, and reviled his more
successful contemporaries, by the domestic hearth. The sons were great
hulking, soft-hearted fellows, who adored their mother, tolerated their
father's idleness without a murmur, and had no fault except that of a
disposition to fall in love at the very slightest provocation.
Marcelline, the elder daughter, gained her share of the family
_pâtée_ by the exercise of her pen. She wrote for two or three
fashion-magazines, and was an authority upon the ways and customs,
the houses and gowns, of the great world, under various high-sounding
_noms de plume_. She signed herself in one paper La Comtesse Boisjoli,
in another La Marquise de la Vallière. Needless to add that she had
never crossed the thresholds of those great houses which she described
so glibly. She obtained her information from shopkeepers, her glimpses
of society from the pavement on which rank and beauty alighted for an
instant in their passage from the carriage to the hall-door. All the
rest was evolved from a lively inner-consciousness.
Mathilde was the more serious sister, devoted to art for art's sake;
believing in Bach and the severe school as the highest ideal in life,
worshipping the memory of Berlioz, and despising those vanities which
occupied the thoughts of her elder sister.
All the family made Hilda welcome. They praised her French, pronounced
falteringly in a paroxysm of shyness. The girls took off her hat and
jacket, and installed her in a comfortable chair, while Madame bustled
about with the _bonne_, and set out a tea-tray and a feast of sweet
cakes such as Frenchwomen love. Nothing could be more fortunate than
that dear Mdlle. Duprez and her sweet young friend had dropped in to
tea this evening, protested Mdme. Tillet, for they were momentarily
expecting a visit from one of the most intellectual men in Paris,
Sigismond Trottier. "You must have heard of M. Trottier," said Madame;
"his name must be known in London as well as it is in Paris."
Hilda blushingly admitted that she knew very little of London, and that
she had never heard of M. Trottier.
Public-domain text, read in full here on John Shaqi.
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