A GOOD CRAFT FOR THE BALTIC
" 317
TOWING HEAD TO WIND
" 319
A DROGUE
" 321
CHART OF THE DUBLIN, KINGSTOWN, AND MERSEY COURSE 327
'FREDA'
_R. T. Pritchett_ 336
'CHALLENGE,' 1876
" 339
'MINERVA,' 1888--LINES AND MIDSHIP SECTION
_Fife of Fairlie_ 368
'NATICA,' 1892
_From a photograph by Adamson, of Rothesay_ 374
IN THE CHANNEL
_R. T. Pritchett_ 406
CHAPTER I
[Illustration: Yachts.]
INTRODUCTION
BY SIR EDWARD SULLIVAN, BART.
[Illustration: VICTORIA CUP. 1893.]
It is related that Chrysippus, a cynic, killed himself in order that
he might sooner enjoy the delights of Paradise. Philosophers do queer
things sometimes. Many who are not philosophers kill themselves in
order to avoid the miseries of this world; but, as far as I know, this
is the only case on record of a man killing himself from impatience to
enjoy the pleasures of the next.
Ideas of Paradise are exceedingly various. To the ancients Paradise
meant a _dolce far niente_ in the Elysian Fields; to the North
American Indians it means happy hunting grounds and plenty of fat
buffalo. The Scythians believed in a Paradise of immortal drunkenness
and drinking blood out of the skulls of their enemies, and the
Paradise that to-day influences the belief of one-fourth of the human
race is contained in Chapter X. of the Koran. To Madame de Chevreuse
it meant chatting with her friends in the next world. To one friend of
mine it was galloping for ever over a grass country without gates. To
another it meant driving four horses, with Tim Carter seated at his
side. To some, I believe, Paradise means yachting, and for my own
part, I think a 200-ton schooner, a ten-knot breeze, and a summer sea
hard to beat. Whether yachting approaches one's conception of Paradise
or not, I think there are very few of us who, if they do not suffer
from that hopeless affection the _mal de mer_, do not more or less
enjoy a life on the ocean wave; it is so fresh and life-giving and so
various. 'A home on the stormy deep' we won't say so much about. I
have seen two or three storms at sea, but I have never found them
pleasant; very much the contrary. There is grandeur, if you like, but
there is also terror and horror.
As black as night she turned to white,
And cast against the cloud
A snowy sheet as if each surge
Upturned a sailor's shroud.
This is poetry; but it is true. You look to windward, and you look to
leeward; you look ahead, and you look astern, and you feel that, if
you are not already engulfed, you probably may be in the next minute.
Public-domain text, read in full here on John Shaqi.
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