Yashka : $b My life as peasant, exile and soldierBochkareva, Mariia
History
Yashka : $b My life as peasant, exile and soldier
Bochkareva, Mariia
Soviet Union -- History -- Revolution, 1917-1921; World War, 1914-1918 -- Personal narratives, Russian
In the early summer of 1917 the world was thrilled by a news item
from Petrograd announcing the formation by one Maria Botchkareva of
a women’s fighting unit under the name of “The Battalion of Death.”
With this announcement an obscure Russian peasant girl made her début
in the international hall of fame. From the depths of dark Russia
Maria Botchkareva suddenly emerged into the limelight of modern
publicity. Foreign correspondents sought her, photographers followed
her, distinguished visitors paid their respects to her. All tried
to interpret this arresting personality. The result was a riot of
misinformation and misunderstanding.
Of the numerous published tales about and interviews with Botchkareva
that have come under my observation, there is hardly one which does not
contain some false or misleading statement. This is partly due to the
deplorable fact that the foreign journalists who interpreted Russian
men and affairs to the world during the momentous year of 1917 were,
with very few exceptions, ignorant of the Russian language; and partly
to Botchkareva’s reluctance to take every adventurous stranger into her
confidence. It was her cherished dream to have a complete record of her
life incorporated in a book some day. This work is the realization of
that dream.
To a very considerable extent, therefore, the narrative here unfolded
is of the nature of a confession. When in the United States in the
summer of 1918, Botchkareva determined to prepare her autobiography.
Had she been educated enough to be able to write a letter fluently,
she would probably have written her own life-story in Russian and then
had it translated into English. Being semi-illiterate, she found it
necessary to secure the services of a writer commanding a knowledge of
her native language, which is the only tongue she speaks. The procedure
followed in the writing of this book was this: Botchkareva recited to
me in Russian the story of her life, and I recorded it in English in
longhand, making every effort to set down her narrative verbatim. Not
infrequently I would interrupt her with a question intended to draw out
some forgotten experiences. However, one of Botchkareva’s natural gifts
is an extraordinary memory. It took nearly a hundred hours, distributed
over a period of three weeks, for her to tell me every detail of her
romantic life.
Public-domain text, read in full here on John Shaqi.
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