Ye Lyttle Salem Maide: A Story of Witchcraft — John Shaqi
Ye Lyttle Salem Maide: A Story of WitchcraftMackie, Pauline Bradford
History
Ye Lyttle Salem Maide: A Story of Witchcraft
Mackie, Pauline Bradford
Salem (Mass.) -- History -- Colonial period, ca. 1600-1775 -- Fiction; Trials (Witchcraft) -- Fiction
They slipped down from the benches, the girls bobbing and the boys
ducking their heads, in such haste that two of them knocked together and
commenced quarrelling. Deliverance, with a vigorous shake of each small
culprit, put them at opposite ends of the bench. The first task was the
study of the alphabet. A buzz of whispering voices arose as the children
conned their letters from books made of two sheets of horn: on one side
the alphabet was printed and on the other the Lord’s Prayer. The humming
of the little voices over their A, B, C’s made a pleasant accompaniment
to their teacher’s thought, who, with every stitch in the sampler she
was embroidering, wove in a vision of herself in a crimson velvet gown
and stomacher worked with gold thread, such as were worn by the little
court lady, the Cavalier’s sweetest daughter. Growing conscious of a
disturbance in class she looked up.
“Stability Williams,” she said sternly, “can ye no sit still without
jerking around like as your head was loosed?”
Stability’s tears flowed copiously at the reproof.
“Please, ma’am,” spoke up Hannah Sears, “he’s been pulling o’ her hair.”
Deliverance’s sharp eyes spied the guilty offender.
“Ebenezer Gibbs,” said she, “stop your wickedness, and as for ye,
Stability Williams, cease your idle soughing.”
For awhile all was quiet. Then, there broke forth a muffled sob from
Stability, followed by an irrepressible giggle from the boys. Deliverance
stepped down from the platform and rapped Ebenezer Gibbs’ head smartly
with her thimble.
“Ye rude and ill-mannered boy,” she cried; “have ye no shame to be
pulling Stability Williams’ hair and inticing others to laugh at your
evil doings? Ye can just come along now and stand in the crying-corner.”
The crying-corner was the place where the children stood to weep after
they had been punished. Pathetic record of childish grief was this
corner, the pine boards black with the imprint of small grimy fingers and
spotted with tears from little wet faces. Doubtless Deliverance rapped
the offender more severely than she intended, for he wept steadily.
Although she knew he deserved the reproof, his crying smote her heart
sorely.
“Ebenezer Gibbs,” she said, after a while, “when ye think ye have weeped
sufficient long, ye can take your seat.”
But he continued to weep and sniffle the entire morning, not even ceasing
when his companions had their resting-minute. The day was quite spoiled
for Deliverance by the sight of the tiny figure with the cropped head
pressed close in the corner, as the culprit rested first on one foot and
then the other.
Public-domain text, read in full here on John Shaqi.
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