Country life -- England -- Fiction; England -- Social conditions -- 19th century -- Fiction; Rural poor -- England -- Fiction
'Me own business! Poker o' Moses! and ain't it me own business?
Haven't ye spilte my tenderest hopes? And good luck to ye in that
same, for ye're as pretty a rider as ever kicked coping-stones out
of a wall; and poor Paddy loves a sportsman by nature. Och! but
ye've got a hand of trumps this time. Didn't I mate the vicar the
other day, and spake my mind to him?'
'What do you mean?' asked Lancelot, with a strong expletive.
'Faix, I told him he might as well Faugh a ballagh--make a rid road,
and get out of that, with his bowings and his crossings, and his
Popery made asy for small minds, for there was a gun a-field that
would wipe his eye,--maning yourself, ye Prathestant.'
'All I can say is, that you had really better mind your own
business, and I'll mind my own.'
'Och,' said the good-natured Irishman, 'and it's you must mind my
business, and I'll mind yours; and that's all fair and aqual. Ye've
cut me out intirely at the Priory, ye Tory, and so ye're bound to
give me a lift somehow. Couldn't ye look me out a fine fat widow,
with an illigant little fortune? For what's England made for except
to find poor Paddy a wife and money? Ah, ye may laugh, but I'd buy
me a chapel at the West-end: me talents are thrown away here
intirely, wasting me swateness on the desert air, as Tom Moore says'
(Panurgus used to attribute all quotations whatsoever to Irish
geniuses); 'and I flatter meself I'm the boy to shute the Gospel to
the aristocracy.'
Lancelot burst into a roar of laughter, and escaped over the next
gate: but the Irishman's coarse hints stuck by him as they were
intended to do. 'Dying for the love of me!' He knew it was an
impudent exaggeration, but, somehow, it gave him confidence; 'there
is no smoke,' he thought, 'without fire.' And his heart beat high
with new hopes, for which he laughed at himself all the while. It
was just the cordial which he needed. That conversation determined
the history of his life.
He met Argemone that morning in the library, as usual; but he soon
found that she was not thinking of Homer. She was moody and
abstracted; and he could not help at last saying,--
'I am afraid I and my classics are de trop this morning, Miss
Lavington.'
'Oh, no, no. Never that.' She turned away her head. He fancied
that it was to hide a tear.
Suddenly she rose, and turned to him with a clear, calm, gentle
gaze.
Public-domain text, read in full here on John Shaqi.
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