Country life -- England -- Fiction; England -- Social conditions -- 19th century -- Fiction; Rural poor -- England -- Fiction
'To my father's! Ah! what a son I would have been to him now, in
his extreme need! . . . And he will not let me! Lancelot, is it
impossible to move him? I do not want to go home again . . . to
live there . . . I could not face that, though I longed but this
moment to do it. I cannot face the self-satisfied, pitying looks .
. . the everlasting suspicion that they suspect me to be speaking
untruths, or proselytising in secret. . . . Cruel and unjust!'
Lancelot thought of a certain letter of Luke's . . . but who was he,
to break the bruised reed?
'No; I will not see him. Better thus; better vanish, and be known
only according to the spirit by the spirits of saints and
confessors, and their successors upon earth. No! I will die, and
give no sign.'
'I must see somewhat more of you, indeed.'
'I will meet you here, then, two hours hence. Near that house--even
along the way which leads to it--I cannot go. It would be too
painful: too painful to think that you were walking towards it,--
the old house where I was born and bred . . . and I shut out,--even
though it be for the sake of the kingdom of heaven!'
'Or for the sake of your own share therein, my poor cousin!' thought
Lancelot to himself, 'which is a very different matter.'
'Whither, after you have been--?' Luke could not get out the word
home.
'To Claude Mellot's.'
'I will walk part of the way thither with you. But he is a very bad
companion for you.'
'I can't help that. I cannot live; and I am going to turn painter.
It is not the road in which to find a fortune; but still, the very
sign-painters live somehow, I suppose. I am going this very
afternoon to Claude Mellot, and enlist. I sold the last of my
treasured MSS. to a fifth-rate magazine this morning, for what it
would fetch. It has been like eating one's own children--but, at
least, they have fed me. So now "to fresh fields and pastures
new."'
CHAPTER XV: DEUS E MACHINA
When Lancelot reached the banker's a letter was put into his hand;
it bore the Whitford postmark, and Mrs. Lavington's handwriting. He
tore it open; it contained a letter from Argemone, which, it is
needless to say, he read before her mother's:--
Public-domain text, read in full here on John Shaqi.
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