Country life -- England -- Fiction; England -- Social conditions -- 19th century -- Fiction; Rural poor -- England -- Fiction
That face and figure, and the spirit which spoke through them,
entered his heart at once, never again to leave it. Her features
were aquiline and grand, without a shade of harshness; her eyes
shone out like twain lakes of still azure, beneath a broad marble
cliff of polished forehead; her rich chestnut hair rippled downward
round the towering neck. With her perfect masque and queenly
figure, and earnest, upward gaze, she might have been the very model
from which Raphael conceived his glorious St. Catherine--the ideal
of the highest womanly genius, softened into self-forgetfulness by
girlish devotion. She was simply, almost coarsely dressed; but a
glance told him that she was a lady, by the courtesy of man as well
as by the will of God.
They gazed one moment more at each other--but what is time to
spirits? With them, as with their Father, 'one day is as a thousand
years.' But that eye-wedlock was cut short the next instant by the
decided interference of the horse, who, thoroughly disgusted at his
master's whole conduct, gave a significant shake of his head, and
shamming frightened (as both women and horses will do when only
cross), commenced a war-dance, which drove Argemone Lavington into
the porch, and gave the bewildered Lancelot an excuse for dashing
madly up the hill after his companions.
'What a horrible ugly face!' said Argemone to herself, 'but so
clever, and so unhappy!'
Blest pity! true mother of that graceless scamp, young Love, who is
ashamed of his real pedigree, and swears to this day that he is the
child of Venus!--the coxcomb!
* * * * *
[Here, for the sake of the reader, we omit, or rather postpone a
long dissertation on the famous Erototheogonic chorus of
Aristophanes's Birds, with illustrations taken from all earth and
heaven, from the Vedas and Proclus to Jacob Boehmen and Saint
Theresa.]
'The dichotomy of Lancelot's personality,' as the Germans would call
it, returned as he dashed on. His understanding was trying to ride,
while his spirit was left behind with Argemone. Hence loose reins
and a looser seat. He rolled about like a tipsy man, holding on, in
fact, far more by his spurs than by his knees, to the utter
infuriation of Shiver-the-timbers, who kicked and snorted over the
down like one of Mephistopheles's Demon-steeds. They had mounted
the hill--the deer fled before them in terror--they neared the park
palings. In the road beyond them the hounds were just killing their
fox, struggling and growling in fierce groups for the red gobbets of
fur, a panting, steaming ring of horses round them. Half a dozen
voices hailed him as he came up.
'Where have you been?' 'He'll tumble off!' 'He's had a fall!' 'No
he hasn't!' ''Ware hounds, man alive!' 'He'll break his neck!'
Public-domain text, read in full here on John Shaqi.
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