Country life -- England -- Fiction; England -- Social conditions -- 19th century -- Fiction; Rural poor -- England -- Fiction
Of all the species of lovely scenery which England holds, none,
perhaps, is more exquisite than the banks of the chalk-rivers--the
perfect limpidity of the water, the gay and luxuriant vegetation of
the banks and ditches, the masses of noble wood embosoming the
villages, the unique beauty of the water-meadows, living sheets of
emerald and silver, tinkling and sparkling, cool under the fiercest
sun, brilliant under the blackest clouds.--There, if anywhere, one
would have expected to find Arcadia among fertility, loveliness,
industry, and wealth. But, alas for the sad reality! the cool
breath of those glittering water-meadows too often floats laden with
poisonous miasma. Those picturesque villages are generally the
perennial hotbeds of fever and ague, of squalid penury, sottish
profligacy, dull discontent too stale for words. There is luxury in
the park, wealth in the huge farm-steadings, knowledge in the
parsonage: but the poor? those by whose dull labour all that luxury
and wealth, ay, even that knowledge, is made possible--what are
they? We shall see, please God, ere the story's end.
But of all this Lancelot as yet thought nothing. He, too, had to be
emancipated, as much as Argemone, from selfish dreams; to learn to
work trustfully in the living Present, not to gloat sentimentally
over the unreturning Past. But his time was not yet come; and
little he thought of all the work which lay ready for him within a
mile of the Priory, as he watched the ladies go out for the
afternoon, and slipped down to the Nun's-pool on his crutches to
smoke and fish, and build castles in the air.
The Priory, with its rambling courts and gardens, stood on an island
in the river. The upper stream flowed in a straight artificial
channel through the garden, still and broad, towards the Priory
mill; while just above the Priory wall half the river fell over a
high weir, with all its appendages of bucks and hatchways, and eel-
baskets, into the Nun's-pool, and then swept round under the ivied
walls, with their fantastic turrets and gables, and little loopholed
windows, peering out over the stream, as it hurried down over the
shallows to join the race below the mill. A postern door in the
walls opened on an ornamental wooden bridge across the weir-head--a
favourite haunt of all fishers and sketchers who were admitted to
the dragon-guarded Elysium of Whitford Priors. Thither Lancelot
went, congratulating himself, strange to say, in having escaped the
only human being whom he loved on earth.
He found on the weir-bridge two of the keepers. The younger one,
Tregarva, was a stately, thoughtful-looking Cornishman, some six
feet three in height, with thews and sinews in proportion. He was
sitting on the bridge looking over a basket of eel-lines, and
listening silently to the chat of his companion.
Public-domain text, read in full here on John Shaqi.
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