Country life -- England -- Fiction; England -- Social conditions -- 19th century -- Fiction; Rural poor -- England -- Fiction
What was to be done with so intractable a heretic? Call him an
infidel and a Materialist, of course, and cast him off with horror.
But Argemone was beginning to find out that, when people are really
in earnest, it may be better sometimes to leave God's methods of
educating them alone, instead of calling the poor honest seekers
hard names, which the speakers themselves don't understand.
But words would fail sometimes, and in default of them Lancelot had
recourse to drawings, and manifested in them a talent for thinking
in visible forms which put the climax to all Argemone's wonder. A
single profile, even a mere mathematical figure, would, in his
hands, become the illustration of a spiritual truth. And, in time,
every fresh lesson on the Odyssey was accompanied by its
illustration,--some bold and simple outline drawing. In Argemone's
eyes, the sketches were immaculate and inspired; for their chief,
almost their only fault, was just those mere anatomical slips which
a woman would hardly perceive, provided the forms were generally
graceful and bold.
One day his fancy attempted a bolder flight. He brought a large
pen-and-ink drawing, and laying it silently on the table before her,
fixed his eyes intensely on her face. The sketch was labelled, the
'Triumph of Woman.' In the foreground, to the right and left, were
scattered groups of men, in the dresses and insignia of every period
and occupation. The distance showed, in a few bold outlines, a
dreary desert, broken by alpine ridges, and furrowed here and there
by a wandering watercourse. Long shadows pointed to the half-risen
sun, whose disc was climbing above the waste horizon. And in front
of the sun, down the path of the morning beams, came Woman, clothed
only in the armour of her own loveliness. Her bearing was stately,
and yet modest; in her face pensive tenderness seemed wedded with
earnest joy. In her right hand lay a cross, the emblem of self-
sacrifice. Her path across the desert was marked by the flowers
which sprang up beneath her steps; the wild gazelle stept forward
trustingly to lick her hand; a single wandering butterfly fluttered
round her head. As the group, one by one, caught sight of her, a
human tenderness and intelligence seemed to light up every face.
The scholar dropt his book, the miser his gold, the savage his
weapons; even in the visage of the half-slumbering sot some nobler
recollection seemed wistfully to struggle into life. The artist
caught up his pencil, the poet his lyre, with eyes that beamed forth
sudden inspiration. The sage, whose broad brow rose above the group
like some torrent furrowed Alp, scathed with all the temptations and
all the sorrows of his race, watched with a thoughtful smile that
preacher more mighty than himself. A youth, decked out in the most
fantastic fopperies of the middle age, stood with clasped hands and
brimming eyes, as remorse and pleasure struggled in his face; and as
Public-domain text, read in full here on John Shaqi.
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