I first saw him on the platform just before my train pulled out from
Sioux City to Aberdeen. He was a perfect mountain--an Alp, a
Himalaya--of man. He must have been well toward seven feet tall; and so
vast were his proportions that as he stooped to the window to buy his
ticket he reminded me of a mastiff peering into a mouse's hole. From a
distance--one could scarcely take in the details at close range--I
studied him as a remarkable specimen of the brawny western farmer, whose
score in any exhibition would be lowered by one fact only: lofty as his
height was, he was getting too heavy for it.
I had to go into the smoking-car to find a vacant seat, and there I
could see but one. I had but just slipped into it when in came the
Gargantuan farmer and sat down all over me, in a seemingly ruthless
exercise of his undoubted right to half the seat, and his unquestionable
ability to appropriate as much more as his dimensions required. Falstaff
with his page reminded himself of a sow that had overwhelmed all her
litter save one: I felt like the last of the litter in process of
smothering. And he was as ignorant of my existence, apparently, as could
possibly be required by the comparison.
He wore with bucolic negligence clothes of excellent quality. His hat
was broad as a prairie. I have no idea where such hats are bought. I am
sure I never saw one of such amplitude of brim on sale anywhere. It was
of the finest felt, and had a band of heavy leather pressed into a
design in bas-relief. A few dried alfalfa leaves had lodged in the
angle between the crown and the brim, and clung there, even when he took
the hat off to wipe his brow, thus giving me a view of the plateau of
felt, which I should never have obtained otherwise.
His face was enormous but not puffy; and the red veinlets on the cheek
and nose had acquired their varicosity by weathering rather than by
indulgence. His hair was clipped short, as though he had had a complete
job done as a measure of economizing time. He had a high beak of a nose,
with rugged promontories of bone at the bridge, like the shoulders of a
hill; and his mouth was a huge but well-shaped feature, hard and
inflexible like the mouth of a cave.
His shirt was of blue flannel, clean and fine, and its soft roll collar
fell away from his great muscular neck unconfined and undecorated by any
sort of cravat. His tun of a torso bulged roundly out in front of me
like the sponson of a battleship. Stretched across the immense waistcoat
was a round, spirally-fluted horsehair watchguard as big as a rope, with
massive golden fastenings; and suspended from it was a golden steer made
by some artificer who had followed Cellini afar off, if at all, and
which gave the area (one must use geographical terms in describing the
man), an auriferous and opulent appearance.
Public-domain text, read in full here on John Shaqi.
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