"I find myself," said the Driver, at the next session of the
Scheherazade Society, as Colonel Baggs called their camp-fires, "in a
whale of a dilemmer. I have never had nothin' happen to me worth
tellin'. I have punched cows till this dry farmin' made it necessary to
take to some more humble callin', and there's nothin' to cow-punchin'
that is interestin'.
"I have showed you here in the Upper Geyser Basin fifteen geysers of the
first magnitude, an' a hundred smaller ones; I have showed you Old
Faithful, the Giant, the Giantess, the Fan and the Riverside. I have
showed you the Grotto Geyser, which is a cross between a geyser and a
cave. I have showed you the quiescent spring at its best--the Morning
Glory pool with more colors than any rainbow ever had. I've showed you
jewels and giants and ogres and sprites, and--"
"Here!" shouted the Groom. "Saw off on that professional patter! You're
not the driver now, but Aconite Driscoll, the Cow-boy, and telling us
the story of your life. We have seen more things here than Münchhausen,
Gulliver, Mandeville, Old Jim Bridger and the whole brood of romancers
ever could imagine. Give us some North American facts, now."
"Well, if I must, I must," said poor Aconite. "But there's nothin' to
it. I reckon I'd better narrate to you some of the humble doin's of the
J-Up-And-Down Ranch over on Wolf Nose Crick, in the foot-hills of the
Black Hills--in the dear, dead past beyond recall--thanks to the
Campbell method of dry farmin'."
THE TALE OF TEN THOUSAND DOGIES
THE TALE TOLD BY THE DRIVER
The way I gets into this story is a shame an' disgrace, an' is
incompetent, irreverent, an' immaterial, an' not of record in this case.
Eh? Adds color to the--which? Narrative! Well, I d'n' know about that. I
reely couldn't say as it does.
But mentionin' color, the thought of that little affair do make my face
as red as a cow-town on pay-day. When I turn that tale loose we'll make
a one-night stand of it by the grub-wagon. It comprises a shipper's pass
to Sioux City, a sure-thing game in that moral town, which I win out by
backin' my judgment with my Colt, an' a police court wherein the bank
roll and my pile was rake-off for the court. Charge, gamblin'. All hands
plead guilty. All correct says you, an' quite accordin' to the statues
made an' pervided; an' so says I, ontil I casually picks up a paper in
Belle Fourche, an' sees that it was a phoney police court, not only
owned and controlled by the shell men, which wouldn't be surprisin', but
privately installed as a sort of accident insurance on their other game.
"Hell hath no fury like a woman scorned," Mr. Elkins remarks to me one
day, but all that is goin' to be changed when I ketch up with that
police judge.
Ridin' the range makes a man talkative with the scenery, an' when I sees
that Sioux City paper, I turns loose some remarks in the presence of a
gentleman who subsequently turns out to be Mr. Elkins.
"Thanks," says he.
Public-domain text, read in full here on John Shaqi.
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