Yesterdays in the PhilippinesStevens, Joseph Earle
History
Yesterdays in the Philippines
Stevens, Joseph Earle
Philippines -- Description and travel
The grand opera company which is here is doing remarkably well, and
"Faust" was given the other evening to a crowded house. The theatre
Zorilla is round, like a circus, and in the centre of the ring sit
the holders of our regular orchestra seats, facing the stage, which
chops off the segment of the circle opposite the main entrance. In a
rim surrounding the central arena stretches the single row of boxes,
a good deal like small open sheep-pens, separated from each other
only by insignificant railings. Next comes the surrounding aisle,
and in the broad outside section of the circle, rising up in steep
tiers, are the seats for the natives and gallery gods, who invariably
bring their lunch with them, to pass away the time during the long
intermissions. The orchestra is a native one, led by an Italian
conductor, and doesn't tuck its shirt into its trousers. The musicians,
who battle with the difficult score, grind out their music quite as
successfully as some of our home performers, who would scorn the dark
faces and flying shirt-tails of their Philippine brethren.
During the performance the management introduced a ballet, whose
members were native Filipinas. It was too laughable. The faces and
arms of the women who formed the corps seemed first to have been
covered with mucilage, and then besprinkled with flour in order to
bring the dark-brown complexion up to the softer half-tints of the
Italian performers. The native lady, as a rule, is unacquainted with
French shoes or high heels, slippers being the every-day equipment,
and when these flowery beings came forward on to the stage, saw
the huge audience, and tried to go through the mazes of the dance
in European footgear, they felt entirely snarled up, even if they
didn't look more than half so. But this only served to keep the
audience in a good humor, and everybody seemed to enjoy both the
singing and the deviltry of Mephistopheles, whose part was well
taken. The waits between the acts were long, and the drop-curtain
was covered with barefaced advertisements of dealers in pills, hats,
and carriages. But there were cool little cafés across the roadway
running by the theatre, and one forgot the delay in the pleasure of
being refreshed by Spanish chocolate and crisp buñuelos.
Public-domain text, read in full here on John Shaqi.
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