Thus convinced and resigned, sleep, peaceful and converting, brought in
its round at waking a hope that held hitherto only in the making. Now
she could look out upon the world with a freedom that brooked no
questioning: the very clouds themselves seemed fraught with a charity
that she had believed the part and the due of man alone. No longer need
she concern herself about sin; the blood of a savior had atoned that:
Buddha made it plain that knowledge is the way, and men, inspired no
doubt, had built a temple, sacredly ruled at the door.
She had, only, to proceed thither, and pray.
Yodogima really held fast at heart a true conversion; the same ideal
shone as brightly as before; only the means had shifted; let them smite;
she should turn the other cheek.
And they did strike. Long before Hideyoshi had tried out or finished his
advantage, Oyea clandestinely entered the temple and there counselled
the keeper--she had known him for a long time, and designed better than
he knew or Yodogima anticipated.
The morning wended brightly, and the confiding princess, departing
tenderly the vain, mute welcomings of an ardently-inclined,
hard-accepted husband, trod expectantly toward the selfsame edifice,
devised and made in the name of One who consoles, be it man or his
cold-striven image.
Two lions carved in stone stood sentinel at either side the entrance.
These Yodogima contemplated in the light of a new understanding, born
not of tradition, but of faith proclaimed and knowledge derived. She
stood there in the footprints of an enforced progression, and must no
longer question dogma, though God be greater. Then she turned toward the
gate, frosted with antiquity and jealous of its passage--a receptacle
midway standing glaringly reminded her of a duty that fortunately she
had remembered: Yodogima, too, cast her bread upon the waters, and
passed on, that others might feast as she did penance.
Intercepted now by grated screens, warning her that she must ask and it
shall be given, Yodogima looked and there beheld an image, a true
likeness of what she all her life had painted sublime. Neither male nor
female, but of wood, carved in lines more symmetrical than reality had
effected, lacquered of gold finer than the wants of ordinary man had
ever acclaimed, these surrounded with safeguards seemingly beyond human
invasion, guarded on either side by emblems without either beginning or
ending, all surmounted in a halo that two burning pots of incense
ceaselessly wafted thither, this Yodogima, a penitent, believed with the
spirit of one who would suffer no transgression to stay or hinder any
fulfilment that her God might elect, and clapping her hands as inwardly
decreed and outwardly expressed through time hoary invoked a passage no
less distant or angelic than others perhaps as discerning or more
plastic, of ages recurring and lands apart, had sought or denied in the
lesser stranding of a course no more divinely conceived.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account