"And why don't we have flowers always, and pretty silvery things like
Mrs. Emery has?"
"Oh, be quiet, you little grumbler."
"Here's a crust for you, Terry, a nice burnt one, the kind you like."
"You're spoiling her, Miss Grace. I'd let her starve. Which side did you
get out of your bed this morning?"
"Oh, Bessie, don't. I hate that saying. And I got out on the right side,
too. I went to the docks. I like them. I saw a boat go through--a
beauty."
"You'll fall into the water one of these days."
Theresa leaned her elbows on the table and nursed her chin.
"What do you think," she asked, "would happen if I did? It's dirty
water. I should go splash and get a mouthful. It might make me sick. And
then?"
Gently waving her teacup, Bessie elaborated. "They'd fish you out--with
a 'ook."
"Dead?"
"I should think so. Or p'raps garsping. Your hair'd be black and
plastered, and there'd be little bits of things clinging to you."
Theresa clapped her hands. "Oh, you are good at it!"
But Grace cried: "No, no. It's horrid. Be quiet. It's much worse than
the porridge. You're spoiling the bread and butter now!"
"We'll wait till we're alone, Bessie," Theresa said with a confidential
nod.
When she had helped Grace to make the beds--the one piece of discipline
on which their mother insisted--Theresa went into the little-used
drawing-room to watch for her father. It was a dreary room in which a
fire was seldom lighted except on Christmas Day, and even in summer-time
it smelt of cold. The chairs were what Theresa called "rheumatic" on
account of the twisted nature of their legs, and the clock, which stood
on the mantelpiece and was never wound, presented a supercilious face to
anyone who entered. On the walls there were a few faded watercolour
sketches which might have been of anywhere, and a chiffonier, filled
with odds and ends, stood opposite the fireplace. An empty
photograph-frame on a wicker table was emblematic of the place. When
Theresa went there she always propped open the door, because she said
the room made her feel so lonely, and this though, as Bessie pointed
out, there was a portrait of a maternal grandparent on either side of
the hearth.
She opened the window wide and leaned out until she was in danger of
falling into the area, but finding she could not see far enough down the
street, she ran out at the front door and on to the mossy old pavement.
It seemed a long time before she saw her father turn the corner of
Chesterfield Row, and wave his hand to her.
She ran to meet him. "Hullo, hullo!"
"Well, autumn leaf?" He bent to kiss her, and with a hand on his
shoulder she whispered: "Did you get it? You know what!"
"Yes," he said, "I did. A very good one."
"Tell me!"
"Oh, not yet. We must keep it till after tea."
"I don't think I can wait."
"We'll have the fire lighted, but not the gas."
"Oh, is it that kind?"
"It is indeed."
"How lovely. But I'm glad I sleep with Grace."
Public-domain text, read in full here on John Shaqi.
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