offerings, with the result that the Minster authorities were encouraged
to begin the erection of a new cathedral. They began with the renewal of
the transepts and then proceeded with the erection of the nave and
chapter house, and of the Lady Chapel and choir.
York Minster impresses the beholder by its massiveness, and although it
consists of buildings of various dates, it gives an impression of unity
of design. The earliest portions are the transepts, and there is a great
contrast in the composition of the two gable ends. That of the northern
from its simplicity seems the earlier. The central part consists of an
arcade, above which are five long lancets known as “the Five Sisters”;
over are a stringcourse and seven lancets rising to the slope of the
gable. The southern transept has a portal set between arcading and
lancets, above which is a central window of two lights with a lancet on
either side, whilst the gable is filled with a large and beautiful rose
window.
The western front is a charming architectural composition. The nave
gable-end, with entrance and eight-light window with its flowing
tracery, is set between two buttressed and uniformly pinnacled towers,
which terminate the aisle ends. The entrance has a moulded arch enriched
with delicate sculpture in which the history of Adam and Eve and their
sons Cain and Abel is traced. Above the entrance is the figure of an
archbishop seated, holding a model of the western front in his hands,
and on either side are mailed figures with shields of a Percy and a
Vavasour, having blocks of wood and stone which signify the nature of
their gifts to the building. The aisles are divided into seven bays by
buttresses which have a canopied niche with figure and lofty pinnacles
and which support the flying buttresses to the nave roof, giving an
effect to the whole composition of great stability and endurance. The
choir and Lady Chapel are a continuation of the nave design. They differ
only in detail and lack the flying buttresses. The clerestory passage
along the Lady Chapel is outside the windows. The walk is enclosed by an
open screen, and is separated from the choir clerestory by a small
transept with a lofty window. The eastern end contains in the centre a
window of nine lights and above a figure of Archbishop Thoresby, holding
a model of the Minster. Below the sill are represented busts of Christ
and the Apostles, a king, an archbishop, and two princes.
Public-domain text, read in full here on John Shaqi.
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