In the streets old timber and plaster dwellings, with their overhanging
stories and high-peaked red-tiled gables, are here and there hemmed in
by modern buildings. Timber houses, however, are becoming scarcer, and
quite recently a number of such dwellings have been demolished. A few
carved brackets which carry overhanging stories remain in Stonegate and
Fossgate, and two from Davygate have been re-erected in Trinity Lane.
The Shambles, of which a view is given, is the only street that
preserves its narrow mediaeval character. From the uppermost of its
overhanging stories you might shake hands with your neighbour across the
street. This and Little Shambles are the delight of artists. The end of
one house has been shorn of the lath and plaster work and shows how such
timber houses were constructed. The antiquity of the houses in High
Petergate, and the mediaeval narrowness of the street, enable one
looking towards Bootham Bar to realize the former appearance of the
approach to a gatehouse from within the city. The approaches to the
other Bars have been widened and their aspect changed. A characteristic
of York is the frequent occurrence at street corners of an ancient
church surrounded by its burial-ground.
“Each in its little plot of holy ground,
How beautiful they stand,
These old grey churches of our native land.”
The business of the city was in the hands of its freemen. Their
privileges were great. Only a freeman could trade in the city, and his
sons might become free on attaining their majority. He had also the
right of voting for the city’s representatives in Parliament. The
freedom of the city was granted to outsiders who served an
apprenticeship of seven years to a freeman, or by purchase or gift. No
one was admitted to the freedom without taking an oath
[Illustration: THE SHAMBLES]
Public-domain text, read in full here on John Shaqi.
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