I have no space to dwell on all the innumerable details of architectural ornament or quaint mediæval devices which decorate the walls, neither on the many interesting monuments scattered throughout the aisles, such as the delicate piscinas, or the Fiddler, a modern reproduction of an old figure which had crowned the little spiral turret of the south transept, intended as a portrait of Dr. Camidge, the organist, at the beginning of this century; or the tomb of good Archbishop Frewen, the first prelate of the Province after the Restoration. [Illustration: The Fiddler] But even a sketch of York Minster would not be complete without some mention of the glass, for if the beauty in the form of our "flos florum" is due to its architecture, very much of its beauty in colour depends on the glowing and mellowed tints with which its windows are filled. But it is a large subject to enter upon, for as regards quantity there are no less than one hundred and three windows in the Minster, most of them entirely, and the remainder partly filled with real old mediæval glass, excepting the tracery. Some of the windows too are of great size. The east window, which is entirely filled with old glass, consists of nine lights, and measures 78 ft. in height, 31 ft. 2 in. in width. The two choir transept windows, that in the north transept to St. William, and the south to St. Cuthbert, measure 73 ft. by 16 ft. They have both been restored, the latter very recently, but by far the greater part of them is old glass. On each side of the choir the aisles contain nine windows measuring 14 ft. 9 in. by 12 ft., only the tracery lights of which are modern; the same number of windows fill the clear-story above, the greater portions of which are ancient.