Yorksher Puddin': A Collection of the Most Popular Dialect Stories from the Pen of John HartleyHartley, John
General
Yorksher Puddin': A Collection of the Most Popular Dialect Stories from the Pen of John Hartley
Hartley, John
English language -- Dialects -- England -- Yorkshire; Yorkshire (England) -- Fiction
purple carpet had been laid for th' buzzards an bees to frolic on; an
ther wor sich a hum raand wol it saanded as if they wor playin' bass to
th' skylarks 'at wor warblin' up aboon. Aw struck aght in as straight a
line as aw could for David's, an havin come to th' garden gate, aw stopt
a minnit to admire th' flaars 'at covered th' graand an th' walls, an
even stretched far onto th' thack. Aw hadn't stood long when a voice
claise to my ear sed--
"Might yo be lukkin' for somdy?"
"Are yo Mistress Drake?" aw axed.
"Eea, aw believe aw am; but what might yo be wantin'? If yo've owt to
sell yo've comed to th' wrang shop, for brass is varry scarce here?"
"Aw've nobbut comed to see yor maister," aw sed; "is he in?"
"Nay, he isn't, an aw dooant know whear yo'll find him, for aw've niver
met him yet; but if it's awr Dave yo meean, he's inside, soa yo can walk
forrad, an if it's onny shoes yo want mendin', aw can see to that as
weel as him, for he's reckonin' to be thrang this afternoon?"
"Aw've nobbut come to have a bit o' tawk," aw sed.
"Oh, if that's all yo can come in; there's a deeal moor fowk come to
tawk to him nor what brings him any wark; but it's happen as weel, for
if it worn't for me bein' allus naggin' at him, he'd nivver get done th'
bit he does; an as it is, he's hammerin' away when he owt to be i' bed,
an' keepin' ivverybody else wakken; but aw've tried to taich him sense
wol aw'm fair stall'd, soa he mun goa his own gate an tak th'
consequences. Come yor ways; we's find him i' th' far raam makkin marks
an' spoilin' cleean paper."
We went up a narrow passage, an as th' door wor oppen aw'd a gooid luk
at David an his raam befoor he saw me. It wor a varry little place, wi a
varry little winder, an hardly heigh enuff for a chap to stand up in,
and all th' walls wor covered wi picturs, an he wor set cloise to th'
winder hard at wark at another. He wor a short, fat
gooid-tempered-lukkin chap, wi a bald heead an just a bit o' white hair
hingin' daan like a fringe all raand, an his cheeks wor as red as a ripe
apple, an his hands, brooad an braan, show'd they'd had to face booath
wark an weather. As Dolly went in he lukt up an saw me.
"Come in," he sed, "come in do, it's varry whut, sit yo daan. Whativer
browt ye up here to-day? Why, yo'll be ommost melted. Can yo sup some
buttermilk?" An he filled a glass 'at stood o' th' table, an handed it
to me. Aw swollered it, an then aw sed, "Aw thowt as aw'd a bit o' spare
time awd just come up an mak yor acquaintance, for awve heeard a gooid
deeal abaat yo, an happen yo'll nooan think onny war o' me for comin' bi
misel'."
"Tha's done reight to come, lad; aw'm allus glad to see anybody pop in.
Aw wor just thrang makkin marks, as awr Dolly calls it, but, as awd
nivver onybody to taich me, awm feeared aw havn't getten th' reight way
o' gooin abaat it yet. Yo see all theeas picturs? Well, yo'll not think
mich on 'em, but sich as they are, they please me, an they niver ait
owt."
Public-domain text, read in full here on John Shaqi.
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