Yorksher Puddin': A Collection of the Most Popular Dialect Stories from the Pen of John HartleyHartley, John
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Yorksher Puddin': A Collection of the Most Popular Dialect Stories from the Pen of John Hartley
Hartley, John
English language -- Dialects -- England -- Yorkshire; Yorkshire (England) -- Fiction
"An what are ta shappin at nah?" sed Dolly.
"This is to be th' erupshun o' Maant Vesuvius."
"Why, what is it eruptin' for?" sed Dolly. "Aw guess it's like thee,
it's nowt better to do? Is that th' reason tha's put so mich brimston'
colour abaat it? Ther's nowt better nor brimston' an traitle for curin'
erupshuns."
"Dolly, aw've tell'd thee for aboon twenty year 'at tha's noa taste
nobbut for summut to ait, an yond lad tak's after thee. Aw'd allus a
fancy for my lad to be an artist," he sed, turnin' to me, "but he seems
to care moor abaat hawkin' bits o' garden stuff; but then we am't all
born alike, an aw made up mi mind nivver to try to foorce him to owt 'at
he'd noa hankerin' after, for if aw'd had two trades to pick aght on, an
one on 'em had been cobblin, awst ha takken t'other whativver it had
been; but aw could ha liked mi lad to ha been summut better, for aw gave
him a gooid name when he wor kursened; but yo cannot order theeas things
as yo wod."
"Noa; an it's a gooid job yo cannot, for aw've quite enuff to put up wi
to have thee messin' abaat as tha does; but aw know varry weel that lad
wod ha been a painter if tha'd had patience to taich him. But whear's
that pictur' he did paint? Tha'rt fond enuff o' shewin' thi own wark;
let's luk at somdy's else."
"He nivver tried his hand but once, an it wor this," he sed, as he'
pooled one aght o' th' corner, "an when he showed it me aw'd to luk at
it for a long time befoor aw could tell what to mak on it, but at last
aw decided it wor a camel; but he wor soa mad 'at he sed he'd nivver
paint another so long as he lived, for it wor a drake. Soa, to prevent
onybody else makkin sich another mistak, aw've written on th' bottom'
This is a drake."
"Tha can say what tha likes, David, but hawf a bad en, an if yo can
nobbut catch leets, aw'm sewer ther's monny a thing less like a drake
nor that. Dooant yo think soa?" shoo sed, turnin' to me.
Aw sed aw thowt soa, too: an then David axed me to goa into his study,
"For yo mun know," he sed, "aw've a study, an a studio, an a museum, an
a wild beast show i, this haase, as little as it is."
He led the way into another raam abaat as big as that we'd left, an
showed me a row o' shelves filled wi books, an a little table covered wi
papers; an aw tell'd him aw thowt he wor quite a literary sooart ov a
chap.
"Why," he sed, "aw've allus been fond o' readin' sin aw wor a bit ov a
lad, an sometimes aw string a line or two together 'at jingles varry
nicely, an two or three times aw've had some printed i'th' papers. Mun,
it's varry nice to be able to sit daan an eease yor mind wi writin' a
bit, even if nubdy reads it. That lad o' mine cares nowt abaat it; aw
wish he did, for aw believe if he'd takken to study he'd ha been a
wonder, for he's a rare heead--it tak's a hat ommost as big as a
coil-skep to fit it. Aw gate him to try one time, an he wor a whole day
i' gettin' theeas four lines, aw allus keep 'em by me, for aw know he'll
nivver write ony moor.":--
Public-domain text, read in full here on John Shaqi.
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