There is a fascination in this view in its capacity for change. It
responds to every mood of the weather, and every sunset that glows
across the sombre woods has some freshness, some feature that is quite
unlike any other. Autumn, too, is a memorable time for those who can
watch the face of Nature from this spot, for when one of those opulent
evenings of the fall of the year turns the sky into a golden sea of
glory, studded with strange purple islands, there is unutterable beauty
in the flaming woods and the pale river.
On the way back to the market-place we pass a decayed arch that was
probably a postern in the walls of the town. There can be no doubt
whatever of the existence of these walls, for Leland begins his
description of the town with the words '_Richemont_ Towne is
waullid,' and in another place he says: 'Waullid it was, but the waul
is now decayid. The Names and Partes of 4 or 5 Gates yet remaine.' We
cannot help wondering why Richmond could not have preserved her gates
as York has done, or why she did not even make the effort sufficient to
retain a single one, as Bridlington and Beverley did. The two
posterns--one we have just mentioned, and the other in Friar's Wynd, on
the north side of the market-place, with a piece of wall 6 feet thick
adjoining--are interesting, but we would have preferred something much
finer than these mere arches; and while we are grumbling over what
Richmond has lost, we may also measure the disaster which befell the
market-place in 1771, when the old cross was destroyed. Before that
year there stood on the site of the present obelisk a very fine cross
which Clarkson, who wrote about a century ago, mentions as being the
greatest beauty of the town to an antiquary. A high flight of steps led
up to a square platform, which was enclosed by a richly ornamented wall
about 6 feet high, having buttresses at the corners, each surmounted
with a dog seated on its hind-legs. Within the wall rose the cross,
with its shaft made from one piece of stone. There were 'many curious
compartments' in the wall, says Clarkson, and 'a door that opened into
the middle of the square,' but this may have been merely an arched
opening. The enrichments, either of the cross itself or the wall,
included four shields bearing the arms of the great families of
Fitz-Hugh, Scrope (quartering Tibetot), Conyers, and Neville. From the
description there is little doubt that this cross was a very beautiful
example of Perpendicular or perhaps Decorated Gothic, in place of which
we have a crude and bulging obelisk bearing the inscription: 'Rebuilt
(!) A.D. 1771, Christopher Wayne, Esq., Mayor'; it should surely have
read: 'Perpetrated during the Mayoralty of Christopher Wayne Goth.'
Public-domain text, read in full here on John Shaqi.
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