On the opposite side of the steep-sided dale Penhill stands out prominently, with its flat summit reflecting just enough of the setting sun to recall a momentous occasion when from that commanding spot a real beacon-fire sent up a great mass of flame and sparks. It was during the time of Napoleon's threatened invasion of England, and the lighting of this beacon was to be the signal to the volunteers of Wensleydale to muster and march to their rendezvous. The watchman on Penhill, as he sat by the piled-up brushwood, wondering, no doubt, what would happen to him if the dreaded invasion were really to come about, saw, far away across the Vale of Mowbray, a light which he at once took to be the beacon upon Roseberry Topping. A moment later tongues of flame and smoke were pouring from his own hilltop, and the news spread up the dale like wildfire. The volunteers armed themselves rapidly, and with drums beating they marched away, with only such delay as was caused by the hurried leave-takings with wives and mothers, and all the rest who crowded round. The contingent took the road to Thirsk, and on the way were joined by the Mashamshire men. Whether it was with relief or disappointment I do not know; but when the volunteers reached Thirsk they heard that they had been called out by a false alarm, for the light seen in the direction of Roseberry Topping had been caused by accident, and the beacon on that height had not been lit. Wensley stands just at the point where the dale, to which it has given its name, becomes so wide that it begins to lose its distinctive character. The village is most picturesque and secluded, and it is small enough to cause some wonder as to its distinction in naming the valley. It is suggested that the name is derived from _Wodenslag_, and that in the time of the Northmen's occupation of these parts the place named after their chief god would be the most important. In the little church standing on the south side of the green there is so much to interest us that we are almost unable to decide what to examine first, until, realizing that we are brought face to face with a beautiful relic of Easby Abbey, we turn our attention to the parclose screen. It surrounds the family pew of Bolton Hall, and on three sides we see the Perpendicular woodwork fitted into the east end of the north aisle. The side that fronts the nave has an entirely different appearance, being painted and of a classic order, very lacking in any ecclesiastical flavour, an impression not lost on those who, with every excuse, called it 'the opera box.' In the panels of the early part of the screen are carved inscriptions and arms of the Scropes covering a long period, and, though many words and letters are missing, it is possible to make them more complete with the help of the record made by the heralds in 1665.