We come over the dry, sweet-smelling grass to the cliff edge on a fresh
morning, with a deep blue sky overhead and a sea below of ultramarine
broken up with an infinitude of surfaces reflecting scraps of the cliffs
and the few white clouds. Falling on our knees, we look straight
downwards into a cove full of blue shade; but so bright is the
surrounding light that every detail is microscopically clear. The
crumpling and distortion of the successive layers of chalk can be seen
with such ease that we might be looking at a geological textbook. On the
ledges, too, can be seen rows of little white-breasted puffins;
razor-bills are perched here and there, as well as countless guillemots.
The ringed or bridled guillemot also breeds on the cliffs, and a number
of other types of northern sea-birds are periodically noticed along
these inaccessible Bempton Cliffs. The guillemot makes no nest, merely
laying a single egg on a ledge. If it is taken away by those who plunder
the cliffs at the risk of their lives, the bird lays another egg, and if
that disappears, perhaps even a third. The innumerable varieties in the
eggs make the gathering of them for collectors very profitable.
Unwelcome as this annual robbing of the eggs may be, yet to watch a man
being lowered over the cliff by what appears to be a mere thread, and to
see him suspended over the restless waves, is a thrilling sight.
The great promontory of Flamborough, though in many ways claiming a high
position in the list of England’s places of natural beauty, suffers much
from being popular. In the season, I am told--for I have always visited
Flamborough in spring or autumn--the road from the station to the
lighthouse is often _crowded_, and I have not the smallest doubt that
this is true from the appearance of the roads, the village, and even the
North Landing, for on the occasion of my first visit, in the early
spring, I was painfully impressed with the feeling that everything bore
the tired, unsatisfactory appearance of a place infested with
excursionists. The edges of the paths had a look of being overworn and
overtrodden; fences, gates, and the like were too much carved with
foolish initials, and everywhere I glanced I found the distressing
scraps of old newspaper, the grocer’s paper-bag long rifled of its
contents, and the coloured cardboard box that once enclosed tablets of
chocolate. It is quite as much a desecration to litter with scraps of
dirty paper a noble cape, whose whole aspect is otherwise just as the
hand of Time has left it, as to drop sandwich-papers on the floor of
some venerable minster, and hope that the result will not be painful to
the next who enters the building.
Public-domain text, read in full here on John Shaqi.
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