To thoroughly master the story of the city of York is to know
practically the whole of English history. Its importance from the
earliest times has made York the centre of all the chief events that
have taken place in the North of England; and right up to the time of
the Civil War the great happenings of the country always affected York,
and brought the northern capital into the vortex of affairs. And yet,
despite the prominent part the city has played in ecclesiastical,
military, and civil affairs through so many centuries of strife, it has
contrived to retain a medieval character in many ways unequalled by any
town in the kingdom. This is due, in a large measure, to the fortunate
fact that York is well outside the area of coal and iron, and has never
become a manufacturing centre, the few factories it now possesses being
unable to rob the city of its romance and charm.
There could scarcely be a better approach to such a city than that
furnished by the railway-station. Immediately outside the building, we
are confronted with a sloping grassy bank, crowned with a battlemented
wall, and we discover that only through its bars and posterns can we
enter the city, and feast our eyes on the relics of the Middle Ages
within. It is no dummy wall put up to please visitors, for right down to
the siege of 1644, when the Parliamentary army battered Walmgate Bar
with their artillery, it has withstood many assaults and investments.
Repairs and restorations have been carried out at various times during
the last century, and additional arches have been inserted by the bars
and where openings have been made necessary, luckily without robbing the
walls of their picturesqueness or interest. The bright, creamy colour of
the stonework is a pleasant reminder of the purity of York’s atmosphere,
for should the smoke of the city ever increase to the extent of even the
smaller manufacturing towns, the beauty and glamour of every view would
gradually disappear.
Of the Roman town called Eburacum there still remain parts of the wall
and the lower portion of a thirteen-sided tower, showing that the
walled area of York in Roman times was scarcely a fifth of the medieval
city.
The four chief gateways and the one or two posterns and towers have each
a particular fascination, and when we begin to taste the joys of York,
we cannot decide whether the Minster, the gateways, the narrow streets
full of overhanging houses, or the churches, all of which we know from
prints and pictures, call us most. In our uncertainty we reach a wide
arch across the roadway, and on the inner side find a flight of stone
steps leading to the top of the wall. We climb them, and find spread out
before us our first notable view of the city. The battlemented stone
parapet of the wall stops at a tower standing on the bank of the river,
and on the further side rises another, while above the old houses,
closely packed together beyond Lendal Bridge, appear the stately towers
of the Minster.
Public-domain text, read in full here on John Shaqi.
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