He was up at the fireplace, stirring the embers again. When I finished
talking he turned around, the poker clutched in his hand. His face was
impassive.
"Not only could be, Charley. I am."
I suppose there's a time in everybody's life when the chips are down
and you have to react automatically, you have no room for thought. I
let him have the bottle square in the face and then the poker glanced
off my shoulder and he was on me.
He gripped me by the throat and forced me back against the wall.
"You'll never leave alive," he said and it was like ice-water down my
neck because he said it in a monotone, with no emotion at all. I tried
to break his grip and couldn't and then the world turned a spotty black
and I could feel my life start to slip away like a bar of wet soap.
I fell to the floor and doubled my knees and drove my heavy boots into
his stomach. He had to loosen his hold then and for a moment I was
free. I didn't waste time and I didn't bother about fighting fair.
We both went for the poker but I got there first.
I killed a man that night. Without compunction, without regrets,
without any hesitation. I killed Fred and buried him in the woods and
loaded the car that same night.
When I started the car it kicked right over and I spun out of there,
gravel spraying from beneath the wheels. I didn't breathe any easier
until I was a hundred miles away.
* * * * *
I thought a lot about what I was going to do on the way back. I'm
not the hero type but I just can't see them move in on Earth without
fighting back. And I consider Fred only the downpayment on John
Kelley's murder.
One important thing. I've found a flaw, a weak spot.
The invaders are imitators. The perfect imitators. They're a lot like
Fred was. They never have original ideas of their own, they parrot the
editorial pages and even the stock of jokes they save for stag parties
aren't funny because you've heard them all before.
You can see them on the street-car on their way to work. Half will
sit with blank stares on their faces, reading the transitads, while
the other half will sit with their noses buried in their papers. Watch
them. If they looked alike you'd be reminded of the rockettes on the
stage of the RCA Music Hall. Or walk into a bar when the fights are
on and watch the customers with their faces glued to the TV sets. All
with their glasses of beer in the right hand, all with the same rapt
expressions on their faces.
Public-domain text, read in full here on John Shaqi.
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