Children -- Drama; Comedy plays; England -- Drama; Fathers -- Drama; Runaway husbands -- Drama; Wives -- Drama
VALENTINE. Thank you--er--if you don't mind--I mean if you will be so
kind--(to the parlor maid testily) What is it?
THE PARLOR MAID. The landlord, sir, wishes to speak to you before you go
out.
VALENTINE. Oh, tell him I have four patients here. (The Clandons look
surprised, except Phil, who is imperturbable.) If he wouldn't mind
waiting just two minutes, I--I'll slip down and see him for a moment.
(Throwing himself confidentially on her sense of the position.) Say I'm
busy, but that I want to see him.
THE PARLOR MAID (reassuringly). Yes, sir. (She goes.)
MRS. CLANDON (on the point of rising). We are detaining you, I am
afraid.
VALENTINE. Not at all, not at all. Your presence here will be the
greatest help to me. The fact is, I owe six week's rent; and I've had
no patients until to-day. My interview with my landlord will be
considerably smoothed by the apparent boom in my business.
DOLLY (vexed). Oh, how tiresome of you to let it all out! And we've
just been pretending that you were a respectable professional man in a
first-rate position.
MRS. CLANDON (horrified). Oh, Dolly, Dolly! My dearest, how can you be
so rude? (To Valentine.) Will you excuse these barbarian children of
mine, Mr. Valentine?
VALENTINE. Thank you, I'm used to them. Would it be too much to ask you
to wait five minutes while I get rid of my landlord downstairs?
DOLLY. Don't be long. We're hungry.
MRS. CLANDON (again remonstrating). Dolly, dear!
VALENTINE (to Dolly). All right. (To Mrs. Clandon.) Thank you: I shan't
be long. (He steals a look at Gloria as he turns to go. She is looking
gravely at him. He falls into confusion.) I--er--er--yes--thank you
(he succeeds at last in blundering himself out of the room; but the
exhibition is a pitiful one).
PHILIP. Did you observe? (Pointing to Gloria.) Love at first sight. You
can add his scalp to your collection, Gloria.
MRS. CLANDON. Sh--sh, pray, Phil. He may have heard you.
PHILIP. Not he. (Bracing himself for a scene.) And now look here, mamma.
(He takes the stool from the bench; and seats himself majestically in
the middle of the room, taking a leaf out of Valentine's book. Dolly,
feeling that her position on the step of the operating chair is unworthy
of the dignity of the occasion, rises, looking important and determined;
crosses to the window; and stands with her back to the end of the
writing-table, her hands behind her and on the table. Mrs. Clandon looks
at them, wondering what is coming. Gloria becomes attentive. Philip
straightens his back; places his knuckles symmetrically on his knees;
and opens his case.) Dolly and I have been talking over things a good
deal lately; and I don't think, judging from my knowledge of human
nature--we don't think that you (speaking very staccato, with the words
detached) quite appreciate the fact--
DOLLY (seating herself on the end of the table with a spring). That
we've grown up.
MRS. CLANDON. Indeed? In what way have I given you any reason to
complain?
Public-domain text, read in full here on John Shaqi.
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