Children -- Drama; Comedy plays; England -- Drama; Fathers -- Drama; Runaway husbands -- Drama; Wives -- Drama
MRS. CLANDON (distracted by her child's bad manners). Dolly, Dolly,
Dolly dear! You must not ask questions.
DOLLY (demurely). So sorry. You'll tell us, won't you, Mr. Valentine?
VALENTINE. He doesn't want his rent at all. He's broken his tooth on
a Brazil nut; and he wants me to look at it and to lunch with him
afterwards.
DOLLY. Then have him up and pull his tooth out at once; and we'll bring
him to lunch, too. Tell the maid to fetch him along. (She runs to the
bell and rings it vigorously. Then, with a sudden doubt she turns to
Valentine and adds) I suppose he's respectable--really respectable.
VALENTINE. Perfectly. Not like me.
DOLLY. Honest Injun? (Mrs. Clandon gasps faintly; but her powers of
remonstrance are exhausted.)
VALENTINE. Honest Injun!
DOLLY. Then off with you and bring him up.
VALENTINE (looking dubiously at Mrs. Clandon). I daresay he'd be
delighted if--er--?
MRS. CLANDON (rising and looking at her watch). I shall be happy to see
your friend at lunch, if you can persuade him to come; but I can't wait
to see him now: I have an appointment at the hotel at a quarter to one
with an old friend whom I have not seen since I left England eighteen
years ago. Will you excuse me?
VALENTINE. Certainly, Mrs. Clandon.
GLORIA. Shall I come?
MRS. CLANDON. No, dear. I want to be alone. (She goes out, evidently
still a good deal troubled. Valentine opens the door for her and follows
her out.)
PHILIP (significantly--to Dolly). Hmhm!
DOLLY (significantly to Philip). Ahah! (The parlor maid answers the
bell.)
DOLLY. Show the old gentleman up.
THE PARLOR MAID (puzzled). Madam?
DOLLY. The old gentleman with the toothache.
PHILIP. The landlord.
THE PARLOR MAID. Mr. Crampton, Sir?
PHILIP. Is his name Crampton?
DOLLY (to Philip). Sounds rheumaticky, doesn't it?
PHILIP. Chalkstones, probably.
DOLLY (over her shoulder, to the parlor maid). Show Mr. Crampstones up.
(Goes R. to writing-table chair).
THE PARLOR MAID (correcting her). Mr. Crampton, miss. (She goes.)
DOLLY (repeating it to herself like a lesson). Crampton, Crampton,
Crampton, Crampton, Crampton. (She sits down studiously at the
writing-table.) I must get that name right, or Heaven knows what I shall
call him.
GLORIA. Phil: can you believe such a horrible thing as that about our
father--what mother said just now?
PHILIP. Oh, there are lots of people of that kind. Old Chalice used to
thrash his wife and daughters with a cartwhip.
DOLLY (contemptuously). Yes, a Portuguese!
PHILIP. When you come to men who are brutes, there is much in common
between the Portuguese and the English variety, Doll. Trust my knowledge
of human nature. (He resumes his position on the hearthrug with an
elderly and responsible air.)
GLORIA (with angered remorse). I don't think we shall ever play again at
our old game of guessing what our father was to be like. Dolly: are you
sorry for your father--the father with lots of money?
Public-domain text, read in full here on John Shaqi.
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