Children -- Drama; Comedy plays; England -- Drama; Fathers -- Drama; Runaway husbands -- Drama; Wives -- Drama
There is no shadow of this on the two persons who are occupying the room
just now. One of them, a very pretty woman in miniature, her tiny figure
dressed with the daintiest gaiety, is of a later generation, being
hardly eighteen yet. This darling little creature clearly does not
belong to the room, or even to the country; for her complexion, though
very delicate, has been burnt biscuit color by some warmer sun than
England's; and yet there is, for a very subtle observer, a link between
them. For she has a glass of water in her hand, and a rapidly clearing
cloud of Spartan obstinacy on her tiny firm set mouth and quaintly
squared eyebrows. If the least line of conscience could be traced
between those eyebrows, an Evangelical might cherish some faint hope
of finding her a sheep in wolf's clothing--for her frock is recklessly
pretty--but as the cloud vanishes it leaves her frontal sinus as
smoothly free from conviction of sin as a kitten's.
The dentist, contemplating her with the self-satisfaction of a
successful operator, is a young man of thirty or thereabouts. He does
not give the impression of being much of a workman: his professional
manner evidently strikes him as being a joke, and is underlain by a
thoughtless pleasantry which betrays the young gentleman still unsettled
and in search of amusing adventures, behind the newly set-up dentist
in search of patients. He is not without gravity of demeanor; but the
strained nostrils stamp it as the gravity of the humorist. His eyes are
clear, alert, of sceptically moderate size, and yet a little rash; his
forehead is an excellent one, with plenty of room behind it; his nose
and chin cavalierly handsome. On the whole, an attractive, noticeable
beginner, of whose prospects a man of business might form a tolerably
favorable estimate.
THE YOUNG LADY (handing him the glass). Thank you. (In spite of the
biscuit complexion she has not the slightest foreign accent.)
THE DENTIST (putting it down on the ledge of his cabinet of
instruments). That was my first tooth.
THE YOUNG LADY (aghast). Your first! Do you mean to say that you began
practising on me?
THE DENTIST. Every dentist has to begin on somebody.
THE YOUNG LADY. Yes: somebody in a hospital, not people who pay.
THE DENTIST (laughing). Oh, the hospital doesn't count. I only meant my
first tooth in private practice. Why didn't you let me give you gas?
THE YOUNG LADY. Because you said it would be five shillings extra.
THE DENTIST (shocked). Oh, don't say that. It makes me feel as if I had
hurt you for the sake of five shillings.
THE YOUNG LADY (with cool insolence). Well, so you have! (She gets up.)
Why shouldn't you? it's your business to hurt people. (It amuses him to
be treated in this fashion: he chuckles secretly as he proceeds to clean
and replace his instruments. She shakes her dress into order; looks
inquisitively about her; and goes to the window.) You have a good view
of the sea from these rooms! Are they expensive?
Public-domain text, read in full here on John Shaqi.
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