Children -- Drama; Comedy plays; England -- Drama; Fathers -- Drama; Runaway husbands -- Drama; Wives -- Drama
VALENTINE (with a stir of feeling beginning to agitate his voice).
Of course not: I'm not such an idiot. And yet my heart tells me I
should--my fool of a heart. But I'll argue with my heart and bring it to
reason. If I loved you a thousand times, I'll force myself to look the
truth steadily in the face. After all, it's easy to be sensible: the
facts are the facts. What's this place? it's not heaven: it's the Marine
Hotel. What's the time? it's not eternity: it's about half past one in
the afternoon. What am I? a dentist--a five shilling dentist!
GLORIA. And I am a feminine prig.
VALENTINE. (passionately). No, no: I can't face that: I must have one
illusion left--the illusion about you. I love you. (He turns towards her
as if the impulse to touch her were ungovernable: she rises and stands
on her guard wrathfully. He springs up impatiently and retreats a step.)
Oh, what a fool I am!--an idiot! You don't understand: I might as well
talk to the stones on the beach. (He turns away, discouraged.)
GLORIA (reassured by his withdrawal, and a little remorseful). I am
sorry. I do not mean to be unsympathetic, Mr. Valentine; but what can I
say?
VALENTINE (returning to her with all his recklessness of manner replaced
by an engaging and chivalrous respect). You can say nothing, Miss
Clandon. I beg your pardon: it was my own fault, or rather my own bad
luck. You see, it all depended on your naturally liking me. (She is
about to speak: he stops her deprecatingly.) Oh, I know you mustn't tell
me whether you like me or not; but--
GLORIA (her principles up in arms at once). Must not! Why not? I am a
free woman: why should I not tell you?
VALENTINE (pleading in terror, and retreating). Don't. I'm afraid to
hear.
GLORIA (no longer scornful). You need not be afraid. I think you are
sentimental, and a little foolish; but I like you.
VALENTINE (dropping into the iron chair as if crushed). Then it's all
over. (He becomes the picture of despair.)
GLORIA (puzzled, approaching him). But why?
VALENTINE. Because liking is not enough. Now that I think down into it
seriously, I don't know whether I like you or not.
GLORIA (looking down at him with wondering concern). I'm sorry.
VALENTINE (in an agony of restrained passion). Oh, don't pity me. Your
voice is tearing my heart to pieces. Let me alone, Gloria. You go down
into the very depths of me, troubling and stirring me--I can't struggle
with it--I can't tell you--
GLORIA (breaking down suddenly). Oh, stop telling me what you feel: I
can't bear it.
VALENTINE (springing up triumphantly, the agonized voice now solid,
ringing, and jubilant). Ah, it's come at last--my moment of courage. (He
seizes her hands: she looks at him in terror.) Our moment of courage!
(He draws her to him; kisses her with impetuous strength; and laughs
boyishly.) Now you've done it, Gloria. It's all over: we're in love with
one another. (She can only gasp at him.) But what a dragon you were! And
how hideously afraid I was!
Public-domain text, read in full here on John Shaqi.
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