Children -- Drama; Comedy plays; England -- Drama; Fathers -- Drama; Runaway husbands -- Drama; Wives -- Drama
CRAMPTON (crustily, looking at his watch). It seems that everybody has
gone to this fancy ball instead of keeping to our appointment here.
VALENTINE. Oh, he'll come all right enough: that was half an hour ago.
I didn't like to borrow five shillings from him and go in with him; so
I joined the mob and looked through the railings until Miss Clandon
disappeared into the hotel through the window.
GLORIA. So it has come to this, that you follow me about in public to
stare at me.
VALENTINE. Yes: somebody ought to chain me up.
Gloria turns her back on him and goes to the fireplace. He takes the
snub very philosophically, and goes to the opposite side of the room.
The waiter appears at the window, ushering in Mrs. Clandon and McComas.
MRS. CLANDON (hurrying in). I am so sorry to have kept you waiting.
A grotesquely majestic stranger, in a domino and false nose, with
goggles, appears at the window.
WAITER (to the stranger). Beg pardon, sir; but this is a private
apartment, sir. If you will allow me, sir, I will shew you to the
American bar and supper rooms, sir. This way, sir.
He goes into the gardens, leading the way under the impression that the
stranger is following him. The majestic one, however, comes straight
into the room to the end of the table, where, with impressive
deliberation, he takes off the false nose and then the domino, rolling
up the nose into the domino and throwing the bundle on the table like a
champion throwing down his glove. He is now seen to be a stout, tall
man between forty and fifty, clean shaven, with a midnight oil pallor
emphasized by stiff black hair, cropped short and oiled, and eyebrows
like early Victorian horsehair upholstery. Physically and spiritually,
a coarsened man: in cunning and logic, a ruthlessly sharpened one. His
bearing as he enters is sufficiently imposing and disquieting; but
when he speaks, his powerful, menacing voice, impressively articulated
speech, strong inexorable manner, and a terrifying power of intensely
critical listening raise the impression produced by him to absolute
tremendousness.
THE STRANGER. My name is Bohun. (General awe.) Have I the honor of
addressing Mrs. Clandon? (Mrs. Clandon bows. Bohun bows.) Miss Clandon?
(Gloria bows. Bohun bows.) Mr. Clandon?
CRAMPTON (insisting on his rightful name as angrily as he dares). My
name is Crampton, sir.
BOHUN. Oh, indeed. (Passing him over without further notice and turning
to Valentine.) Are you Mr. Clandon?
VALENTINE (making it a point of honor not to be impressed by him). Do I
look like it? My name is Valentine. I did the drugging.
BOHUN. Ah, quite so. Then Mr. Clandon has not yet arrived?
Public-domain text, read in full here on John Shaqi.
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