Children -- Drama; Comedy plays; England -- Drama; Fathers -- Drama; Runaway husbands -- Drama; Wives -- Drama
VALENTINE (energetically, throwing off all pretence of a professional
manner). My conscience! My conscience has been my ruin. Listen to me.
Twice before I have set up as a respectable medical practitioner in
various parts of England. On both occasions I acted conscientiously, and
told my patients the brute truth instead of what they wanted to be told.
Result, ruin. Now I've set up as a dentist, a five shilling dentist; and
I've done with conscience forever. This is my last chance. I spent my
last sovereign on moving in; and I haven't paid a shilling of rent yet.
I'm eating and drinking on credit; my landlord is as rich as a Jew and
as hard as nails; and I've made five shillings in six weeks. If I
swerve by a hair's breadth from the straight line of the most rigid
respectability, I'm done for. Under such a circumstance, is it fair to
ask me to lunch with you when you don't know your own father?
DOLLY. After all, our grandfather is a canon of Lincoln Cathedral.
VALENTINE (like a castaway mariner who sees a sail on the horizon).
What! Have you a grandfather?
DOLLY. Only one.
VALENTINE. My dear, good young friends, why on earth didn't you tell me
that before? A cannon of Lincoln! That makes it all right, of course.
Just excuse me while I change my coat. (He reaches the door in a bound
and vanishes. Dolly and Phil stare after him, and then stare at one
another. Missing their audience, they droop and become commonplace at
once.)
PHILIP (throwing away Dolly's arm and coming ill-humoredly towards
the operating chair). That wretched bankrupt ivory snatcher makes a
compliment of allowing us to stand him a lunch--probably the first
square meal he has had for months. (He gives the chair a kick, as if it
were Valentine.)
DOLLY. It's too beastly. I won't stand it any longer, Phil. Here in
England everybody asks whether you have a father the very first thing.
PHILIP. I won't stand it either. Mamma must tell us who he was.
DOLLY. Or who he is. He may be alive.
PHILIP. I hope not. No man alive shall father me.
DOLLY. He might have a lot of money, though.
PHILIP. I doubt it. My knowledge of human nature leads me to believe
that if he had a lot of money he wouldn't have got rid of his
affectionate family so easily. Anyhow, let's look at the bright side of
things. Depend on it, he's dead. (He goes to the hearth and stands with
his back to the fireplace, spreading himself. The parlor maid appears.
The twins, under observation, instantly shine out again with their
former brilliancy.)
THE PARLOR MAID. Two ladies for you, miss. Your mother and sister, miss,
I think.
Public-domain text, read in full here on John Shaqi.
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