Dramatists -- Juvenile fiction; Radio acting -- Juvenile fiction; Radio broadcasting -- Juvenile fiction
Tony beamed; Tony’s cigar moved from one side of his mouth to the other.
“A nice reading,” he said genially. “It’s your part, Frank.”
The dew was gone from Mander’s forehead. “How about a twenty-five dollar
advance, Tony? I’m in to my landlady for six weeks. The old girl’s
getting peeved.”
Tony chewed the cigar. “The office is starting to get tough on advances.
Can’t you tell her you’re working?”
“I’m afraid,” Mander said lightly, “she’s heard that one before.”
Tony wrote an order on the cashier. Mander, passing out, was a new man.
Pop Bartell had been a new man on two borrowed dollars.
One by one actors and actresses came in to read. Joe found this harder
to bear than the parade of show people making the rounds. On the rounds
they accepted the possibility of long, idle periods, but now everything
was crystallized into a single effort. A part in a sponsored show that
paid real money was won or lost in a single hour, perhaps in the reading
of a single line. They laughed and jested, but the smiles trembled under
the heightened tension of nervousness and strain.
Joe found escape in the little room of spot announcements.
The girl tuned a station, checked her list, and tuned another station.
“I’d love to be out there listening, Joe.”
“I guess I’ve gone sour,” said Joe. He hadn’t meant to say that. He was
startled.
The afternoon brought quiet. Tony was at FFOM and the last of the
_Poisoned Fangs_ auditions would be held to-morrow. It seemed to Joe
that it was weeks since he had heard _Bush-League Larry_. With the
office echoing with laughter and gag the radio had not been touched. He
tuned in FFOM and waited for the show to come on.
His mind wandered. Archie Munn and Lucille Borden. He never heard Lu’s
show any more. Amby Carver and Sonny Baker. He hadn’t seen Sonny since
the afternoon of Lu’s premier. Tony rehearsed at the studio and paid off
at the studio; the cast never came to the office. Amby had fawned, but
Sonny would have remained unchanged. Sonny would always be the whole
world to Sonny. Vic Wylie telling him he couldn’t act....
He stiffened. _Bush-League Larry_ was on. Good Lord, could that be Pop
Bartell?
It was Pop. But this was a Pop who murdered lines, who fumbled, who
didn’t seem to know what to say or how to say it. Character? There was
no character. Any ham could have read the part better. Joe shuddered and
turned a knob quickly. The office was silent. What, he wondered bleakly,
had become of the grand old trouper who needed only a word of suggestion
to tinge a part with a new color and new harmonies?
Tony Vaux came back from FFOM an hour past his usual time. To-day no
booming greeting to the girl at the reception-desk announced his
arrival. “I thought you’d be gone, Joe.” He took some papers from his
pocket and, preoccupied, tapped them against the other hand.
“I’ve been waiting for you,” Joe said. “I heard the show—part of it. Why
don’t you make Pop wear glasses?”
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account