Dramatists -- Juvenile fiction; Radio acting -- Juvenile fiction; Radio broadcasting -- Juvenile fiction
“Tut, tut, Tony. Something has turned up.” Pop was actually twinkling.
“As a matter of fact, this relieves me from a distressing predicament. I
was going to ask you for my release if you could let me go without
putting the show in a hole. I have friends in Cleveland and there’s a
part coming up. To be exact, it has come up. A character part that’s a
lead. Something of a tear-jerker—_Sunset of Life_. The part’s waiting
for me. How soon could I be released?”
“Friday week.”
“This is providential, Tony. They’d like me to be at Cleveland Saturday
week. Actually providential.”
Joe’s heart lifted. This couldn’t be front. This was too real, too
sincere.
Tony had his hat and coat; Tony was booming again. “Then everything’s
jake, Pop? I’m auditioning a specialty for the Sunday night variety. If
I’m not back by five, Joe, run along. I’ll be seeing you, Pop.” Tony was
gone.
The lift in Joe’s heart became song. “Mr. Bartell, that’s swell.”
“All but the ride to Cleveland,” Pop Bartell said whimsically. “I had
ten years of one-night stands, Joe; I could live happily without ever
seeing a railroad. In case I don’t get over this way again”—his hand
made a sweep—“_au revoir_, Joe, and lots of good luck.”
“Send me your notices,” Joe said eagerly.
“From what I’ve been told, Joe, this new show should get some nice
notices. Some very nice notices.” Youthful and light of step the veteran
walked out of the office.
Joe Carlin’s lips were parted in breathless exultation. Kicked out of
one show and stepping right into another. Oh, but this was grand! This
was one of those moments that paid for the heartache of the
bread-and-butter hunt. Without warning the strain of the day took its
toll and his nerves were limp and ragged. He went to the cooler, but
water was flat. What he needed was a quick pick-up, coffee hot and
strong. He went along the corridor through which Tony and Pop had
preceded him and paused at the reception-desk. “I’ll be back in five
min—” His voice went dead.
Pop Bartell stood near the elevators staring into vacancy.
The mouth of the girl at the desk opened to ask a question and Joe
touched her arm for silence.
Abruptly Pop roused from his abstraction and stepped toward the
elevators. There was no change in his jaunty, youthful stride. He
touched a button. A down light flashed and he moved over toward the
indicated door. And then, in the interval of waiting, a quick, sick
change took place in him. Suddenly he seemed to shrink and to sag. His
coat wrinkled like an old coat across the shoulders, and his head
drooped as though there was no longer strength to hold it upright. An
elevator stopped, and he entered it with a faltering, uncertain step.
All in an instant he was a beaten, broken, hopeless old man.
“What did you say, Mr. Carlin?” the girl asked.
“Nothing,” Joe said hoarsely.
Public-domain text, read in full here on John Shaqi.
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