Dramatists -- Juvenile fiction; Radio acting -- Juvenile fiction; Radio broadcasting -- Juvenile fiction
“Suppose you come in for an audition and Dennis says you’re colossal.”
Amby Carver was brisk. “Your father and mother tell the neighbors—FKIP
says you’re colossal. Down the street some family thinks its daughter is
colossal. They send her in, and all Dennis gives her is a ‘Thank you.’
So what? Anybody can write that answer; that’s no _Information, Please_.
The girl’s mother, father, brothers, sisters, aunts, uncles, and nieces
all gang up on FKIP. Now do you see why everybody gets a ‘Thank you’ and
no more? Dennis steps softly and keeps FKIP out of trouble. That’s
radio.”
The memory of heartache in Studio K was gone from Joe, and the warmth in
him grew and swelled. “Are you with FKIP?”
“Well—not officially.” Amby Carver’s voice took on a vast tolerance.
“Why tie up with even a 50,000-watt station? Why cramp myself? I’m a
discoverer. Actors, singers, bands, script-writers, gag men—that’s my
field. Talent. I find it and market it. We all make money.”
Joe caught it. “An agent?”
One of the man’s hands made a flourish. “Mr. Carlin—”
The boy said: “My name’s Joe.”
“Mine’s Amby. Let’s go where we’ll be more comfortable and talk
business.”
Joe gripped the books. He had read about agents and the part they played
in show business. No actor could get any place without an agent; but no
agent would bother with an actor unless the actor was good. His head
swam.
They rode down to the lights and the ebb and flow of visitors, to the
cheerfulness and blue leather of the fourth floor. The receptionist
looked questioningly at Joe; he put his hands together and shook them.
The blonde seemed pleased. The loudspeaker gave them Lucille Borden
tough-girling through another episode of _Years of Danger_.
Amby Carver led the way to one of the blue window-seats. “You’re
eighteen, Joe?”
“Yeah.”
“How would you like me to handle you?”
Joe said a fervent: “What could be sweeter?”
“Not much,” Amby admitted without hesitation. “When Ambrose Carver says
he’s putting a man over, that man’s over. You’re going to be a
headliner, Joe; I’ll have your name in lights. I’ll have you playing
coast-to-coast chain shows. I’ll—Is your father home nights?”
“Except Wednesdays. That’s bowling night.”
“I’ll drop in and see him to-night. About eight.”
Joe couldn’t figure that. “What for?”
“You’re a minor. I’ll bring a contract for your father to sign.
Everything open and above-board.”
A real contract, legal and binding, with a real agent! Joe’s cup was
full.
A man came like the wind from the glass-walled studio. Joe saw a wild
disorder of reddish hair, a tan raincoat trailing along the ground from
one arm, a brief-case only partly closed. Somebody cried “Vic!” and the
raincoat was jerked up from the ground. The hidden voice went on: “You
forgot that script.” A hand went into the brief-case, came out with a
mass of papers, and waved them impatiently. Somebody came running from
the direction of the glass-walled studios.
“Know him?” Amby Carver asked.
Public-domain text, read in full here on John Shaqi.
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