Dramatists -- Juvenile fiction; Radio acting -- Juvenile fiction; Radio broadcasting -- Juvenile fiction
Mrs. Carlin protested from the floor below. “Joe! Do you have to blast
down the walls?”
The boy turned down the volume. Wide awake, he sat on the side of the
bed.
How did you become a radio actor?
Then he remembered that this was Saturday. Nothing but orchestras, and
singing and the Woman’s Club program. Yesterday the _City Boy_ program,
with Sonny Baker in the lead, had gone off the air for the summer. He
turned a button and the radio was still.
In envious excitement his thoughts stayed with Sonny. Every Sunday on
the Crunchy Bread show, every Wednesday night on the Perfect-Burning
Coal program, and five times a week, Monday through Friday, with _City
Boy_. Two hundred dollars a week, easily. Last month the _Morning
Journal_ had estimated that two hundred thousand listeners listened to
the _City Boy_ show. Money and fame—there was a combination! And Sonny
Baker was only about eighteen years old.
“My age,” said Joe Carlin, lacing his shoes. How had Sonny broken in?
How did anybody break into radio? How did you climb to the spot where
people watched a clock for your program and you earned two hundred
dollars a week?
The photograph of Fancy Dan Carlin mocked him from the bureau. Fancy Dan
Carlin, actor. There the Fancy one was, rakish silk hat, jaunty cane,
immaculate tails, looking as though he might come dancing gaily right
out of the silver frame.
“I guess I’ve got show business in my blood, Uncle Dan,” Joe said, and
remembered a routine his uncle had taught him last summer. His feet
became sharp castanets against the bedroom floor.
“Joe!”
Joe sighed. He lifted a shirt from a chair and under it found part of
the costume he had worn in last night’s high-school play. He opened the
door.
“Did Dad leave the _Journal_, Mother?”
“It’s here.”
Joe came downstairs. “What kind of press did we get?”
“Fancy Dan Carlin speaking,” Kate Carlin said plaintively. Suddenly she
began to laugh. There was something so rich, so special in her laughter
that, somehow, the boy laughed, too.
“That’s show business talk, Mother. A show gets a good press or a bad
press.”
“You’re not in show business, Joe. Or must I remind you?”
The boy caught himself in time. He had almost blurted that he intended
to go into show business.
A headline in the _Journal_ said:
Joe Carlin Stars in Annual Hi Show
Hunched in the breakfast nook, he read every word of the story: “An
audience of eight hundred that packed the Northend High School last
night—” What was eight hundred when Sonny Baker played to two hundred
thousand? He carried dishes to the sink and asked a tentative question.
“Don’t you think radio’s swell, Mother?”
“Not when I get it for breakfast, dinner, and supper. Sometimes you tune
in for a noisy midnight snack.”
“I mean dramatic sketches,” Joe said hastily. “Aren’t they swell?”
“Some of them.”
Public-domain text, read in full here on John Shaqi.
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