Dramatists -- Juvenile fiction; Radio acting -- Juvenile fiction; Radio broadcasting -- Juvenile fiction
Sure, he was all right. He was swell. Curt Lake could have
script-writing—he wanted no part of such a headache. Why couldn’t he
find the words? It shouldn’t be so hard to express a thought. Just about
two sentences. Inspiration came to him from whatever void it is that
gives birth to inspiration. He went back to the typewriter.
Thursday night he finished the script in an exultation of authorship.
Nine pages—that’s how long a Curt Lake script ran for a fifteen-minute
show. Now he had to have a signature that would mark the start of every
program, and he had to have an opening plug and a closing plug.
A rough idea for a distinctive signature came Friday morning. He put it
down:
Voice: I am ink, and paper, and the thoughts of men.
Sound—Faint rumble of printing press
Voice: I am the printed word.
Sound (full mike)—Rumble of printing press
Voice: I am BOOKS.
Sound—Press rumble fades to—
Announcer: Thomas Carlin presents to-day’s book—
Absorbed, he worked on the plugs. He came to the close:
Life breathes in the printed word.
Read books and live with life.
He told himself that he had something.
In imagination he heard an announcer’s voice speaking the lines into a
mike. Boy, those lines were good. He had something there. The
fascination of creation warmed him. This was show business; this was
radio. But it was also something else he did not suspect.
It was _Thomas Carlin Presents_.
He read over what he had written. He read it over a second time and a
frown pinched his forehead. The plugs didn’t seem to have all the zip he
had thought was there. The feeling grew on him that he hadn’t quite
caught the boat. Probably, with a little tinkering here and there.... He
put the script in a small upper drawer of his desk where he kept razor
blades, cuff links, tie clasps, odds and ends. He wouldn’t hand his
father this show until he had licked it into shape. It had to be right.
If the plugs proved too much for him, if he couldn’t make them right,
he’d take them to Vic.
Instantly his thoughts were back with the _Sue Davis_ show. This was
Friday, about time for Vic to give the word. On the chance that he might
catch the producer he called his office.
“He’s not here, Joe,” Miss Robb said.
“Tell him my voice is all right, will you?”
“Why—yes. I’ll tell him, Joe.”
Joe thought: “The call ought to come to-morrow.”
There was no call the next day. And the telephone bell was silent all
through the long, dragging hours of Sunday.
Public-domain text, read in full here on John Shaqi.
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