War stories; World War, 1914-1918 -- Campaigns -- Belgium; World War, 1914-1918 -- Fiction
This was his regular procedure. Why did he say it? They never could
guess. He knew that the women, all three, understood French--Mrs.
Bracher and Scotch speaking it fluently, Hilda, as became an American,
haltingly. Did he not carry on most of his converse with them in
French--always, when eloquent or sentimental? But unfailingly he used
his formula, when he was highly pleased. They decided he must once have
known some fair foreigner who could only faintly stammer in his native
tongue, and that the habit of address had then become fixed upon him for
moments of emotion.
He repeated his question.
"Oui," responded the girl. He kissed his fingers lightly to her, and
waved the tribute in her direction, as if it could be wafted across the
room.
"Chere artiste," said he, with a voice of conviction.
"And now the bacarolle," he pleaded.
"There are many bacarolles," she objected.
"I know, I know," he said, "and yet, after all, there is only one
bacarolle."
"All right," she answered, obediently, and played on. The music died
away, and the girl in her fought against the response that she knew was
coming. She began turning over sheets of music on the rack. But the
Commandant was not to be balked.
"Parlez-vous francais?" he inquired, "vous, Mademoiselle Hilda."
"Oui, mon Commandant," she answered.
"Chere artiste," he said; "chere artiste."
"Ah, those two voices," he went on with a sigh; "they go with you,
wherever you are. It is music, that night of love and joy. And here we
sit--"
"Yes, yes," interrupted Mrs. Bracher, who did not care to have an
evening of gaiety sag to melancholy; "how about a little Cesar Franck?"
"Yes, surely," agreed the Commandant, cheerily; "our own composer, you
know, though we never gave him his due."
Hilda ran through the opening of the D Minor.
"Now it is your turn," said she.
"My fingers are something stiff, with these cold nights by the window,"
replied the Commandant, "but certainly I will endeavor to play."
He seated himself at the instrument.
"Chere artiste," he murmured to the girl, who was retreating to the
lounge.
Public-domain text, read in full here on John Shaqi.
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