Animals -- Fiction; Music -- Fiction; Science fiction; Short stories
Young Man with a Trumpet
by Frank Belknap Long
_If you’ve read Orwell’s ANIMAL FARM and the delightful little
fantasies by Dal Stivens--the latter an exclusive FANTASTIC UNIVERSE
presentation--you’ll know that animals quite frequently “go it on
their own” in truly amazing fashion. And here comes Frank Belknap
Long with a whimsically delectable and prophetic confirmation of
this, guaranteed to make you gasp in wonderment._
=The animals did the best they could with what they had. But a
certain rare talent for the magnificent was missing until--=
When Man left Earth forever the animals still carried on proudly.
They knew, of course, that they could never hope to equal the
Great One’s shining accomplishments. But even the wart-hog and the
lowly cricket were determined to avoid his mistakes and the tragic
impulsiveness which had led to his defeat on a battleground of his own
choosing.
It may seem surprising to some, but what they missed most of all
was music. It was more the pity because animals in general have an
excellent idea of pitch and can swing and sway in quite miraculous
fashion to nature’s inimitable rhythms.
They finally decided that something should be done about it. So they
went into a huddle and came up with an astounding interrogative
aphorism: _Why not try?_
The leading spirit in this conclave of daring was, of course, the
ass. He stood up on his hindlegs and gave vent to a tremendous bray.
This was the more remarkable because--unlike his far less intelligent
cousin, the horse--the ass has little talent for vocal improvisation.
It was a most commendable effort but it failed dismally. A bray is not
music. It may have some of the qualities of music, but a single chord,
however magnificently sustained, does not make for rapture on a tonal
plane.
In fact, regrettable as it may seem, the fox and the wart-hog held
their ears, the skunk exuded an unforgivably unpleasant effluvium, and
the prairie dog darted like a streak of midsummer lightning into his
burrow.
The wolf tried next. His howl was distinctly on the ferocious side and
it contributed nothing to the pleasures of the moment, even though
there was an undercurrent of primitive amorousness in it which should
have delighted the females of his species.
“You’ll have to do better than that!” the crocodile said, a comment
which could have been put down to pure masculine pique, for the
crocodile is notoriously sluggish in his mating habits.
The bullfrog tried next, as if to prove that, while not exactly
hairy-chested, he was in all respects the exact opposite of the
crocodile. The cacophony of croakings which emanated from his throat
was undeniably impressive, but a tonepoem with a buzzsaw accompaniment
is, at best, a contradiction in terms.
“Heard melodies are sweet, but those unheard are sweeter,” quoted the
wart-hog, his uncouth swiftness-on-the-trigger debasing the lines with
an ironic implication never intended by Keats.
Public-domain text, read in full here on John Shaqi.
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