Young Mr. Barter's Repentance: From "Schwartz" by David Christie MurrayMurray, David Christie
General
Young Mr. Barter's Repentance: From "Schwartz" by David Christie Murray
Murray, David Christie
Fiction
He stooped, picked up the papers, laid them upon his desk, and smoothed
them out, making a fold lengthways to counteract the creases into which
they had already fallen. He saw a crisp clean Bank of England note for a
hundred pounds, and, lifting it, found another. Then he lifted half the
bundle, and, finding a note of the same value, gave an inward gasp, and
expelled his breath slowly after it. Then he looked at the last note
of all, and sat down with the whole bundle in his hands. His pale and
fleshy features had taken an unusual colour, and his breathing was a
good deal disturbed. A watcher might have guessed that he was profoundly
agitated from the swift unintermittent rustle the paper made in his
hands. He seemed to sit as steady as a rock, and yet the crisp paper
rustled noisily.
Mr. Brown’s bank-notes had been a fruitful source of emotion that day
already, and, in Bommaney’s mind at least, had raised very dreadful
doubts and perplexities. There were doubts and perplexities in the mind
of young Mr. Barter, but they were altogether of another order. Young
Mr. Barter was perfectly aware that he was being tempted, and felt that,
in its way, the temptation wets a kind of godsend. He even said as much
in a low murmur to himself. His perplexities related to other things
than the fear of any fall from honour. Bommaney had evidently been very
queer. Bommaney had been horribly cut up about something, even before
he heard the news the young solicitor had to give him. But was he
so disturbed as to be likely to forget where he had last secured so
considerable a sum of money? This mental inquiry naturally set young Mr.
Barter to work to discover how considerable the sum of money actually
was. He laid the notes upon the table, and tried to wet his thumb upon
his lips. There was no moisture there, and his mouth was as dry as
touchwood. He drank a little water, and then began to count the notes.
He made them eighty-one at first; and then, recounting, made them
seventy-nine. Counting them a third time, he made them eighty.
Public-domain text, read in full here on John Shaqi.
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