Young People's Pride: A NovelBenét, Stephen Vincent
General
Young People's Pride: A Novel
Benét, Stephen Vincent
Fiction
Often, and especially when he had thought about her intensely for a
long time, the picture would not come at all or come with tantalizing
incompleteness, apparently because he wanted it to be whole so much--all
he could see would be a wraith of Nancy, wooden as a formal photograph,
with none of her silences or mockeries about her till he felt like a
painter who has somehow let the devil into his paintbox so that each
stroke he makes goes a little fatally out of true from the vision in
his mind till the canvas is only a crazy-quilt of reds and yellows. Now,
perhaps, though, she might come, even though he was tired. He pressed
the back of a hand against his eyes. She was coming to him now. He
remembered one of their walks together--a walk they had taken some eight
months ago, when they had been only three days engaged. Up Fifth Avenue;
Forty-second Street, Forty-third, Forty-fourth, the crosstown glitter
of lights, the reflected glow of Broadway, spraying the sky with dim
gold-dust, begins to die a little behind them. Past pompous expensive
windows full of the things that Oliver and Nancy will buy when Oliver's
novel has gone into its first fifty thousand, content with the mere
touch of each other's hands, they are so sure of each other now. Past
people, dozens of people, getting fewer and fewer as Forty-sixth Street
comes, Forty-seventh, Forty-eighth, always a little arrogantly because
none of the automatic figures they pass have ever eaten friendly bread
together or had fire that can burn over them like clear salt water or
the knowledge that the only thing worth having in life is the hurt
and gladness of that fire. Buses pass like big squares of honeycomb on
wheels, crowded with pale, tired bees--the stars march slowly from the
western slope to their light viewless pinnacle in the center of the
heavens, walking brightly like strong men in silvered armor--the stars
and the buses, the buses and the stars, either and both of as little and
much account--it would not really surprise either Oliver or Nancy if
the next green bus that passes should start climbing into the sky like a
clumsy bird.
The first intoxication is still upon them--they have told nobody except
anyone who ever sees them together--they walk tactfully and never too
close, both having a horror of publicly amatory couples, but like the
king's daughter--or was it Solomon's Temple?--they are all glorious
within. Fifty-fifth, Fifty-sixth, Fifty-seventh--the square in front of
the Plaza--that tall chopped bulky tower lit from within like a model
in a toyshop window--motors purring up to its door like thin dark cats,
motors purring away. The fountain with the little statue--the pool a
cool dark stone cracked with the gold of the lights upon it, and near
the trees of the Park, half-hidden, gold Sherman, riding, riding,
Victory striding ahead of him with a golden palm.
Public-domain text, read in full here on John Shaqi.
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