Young's Demonstrative Translation of Scientific Secrets: Or, A Collection of Above 500 Useful Receipts on a Variety of Subjects — John Shaqi
Young's Demonstrative Translation of Scientific Secrets: Or, A Collection of Above 500 Useful Receipts on a Variety of SubjectsYoung, Daniel
Science
Young's Demonstrative Translation of Scientific Secrets: Or, A Collection of Above 500 Useful Receipts on a Variety of Subjects
Young, Daniel
Formulas, recipes, etc.; Science -- Methodology
This bears a gloss like ivory, and will not rub off. Take of clean
unslacked lime 5 or 6 quarts, slack with hot water in a tub, cover
to keep in the steam; when ready, pass it through a fine sieve, and
add 1/4 lb. of whiting, 1 lb. of good sugar pulverized, and 3 pints
of rice flour, first made into a thin paste; boil this mixture
well, then dissolve 1 lb. of clean glue in water, and add it to the
mixture, and apply while warm with a whitewash brush, except when
particular neatness is required you may then use a paint brush; in
both cases put it on warm. You may add colouring matter to give it
any shade you please.
102. CHANGING VARNISHES
Varnishes of this description are call changing because, when
applied to metals such as copper, brass, or tin or silver foil, they
give them a more agreeable colour; indeed, the common metals, when
coated with them acquired a lustre approaching to that of the
precious metals, and hence these varnishes are much employed in
manufacturing imitations of gold and silver. Put four ounces of the
best gum gamboge into 32 ozs. of spirits of turpentine, 4 ozs. of
dragon's blood into the same quantity of spirits of turpentine as
the gamboge, and 1 oz. of anatto into 8 ozs. of the same spirits.
The three mixtures being made in different vessels, they should then
be kept for about a fortnight in a warm place, and as much exposed
to the sun a possible; at the end of that time they will be fit for
use; and you can procure any tints you wish by making a composition
from them, with such proportions of each liquor as practice and the
nature of the colour you are desirous of obtaining will point out.
Changing varnishes may likewise be employed, with very good effect,
for furniture, such as picture frames, &c.--See Lackers.
103. GOLD LACKER OR VARNISH
In using the changing varnish or any of these lackers, for picture
frames for instance, lay them over with tin or silver leaf, by means
of plaster of Paris glue, or cement of some kind, that the foil may
be perfectly adherent to the wood, then apply your varnish; apply as
many coats as may suit your taste, and if it be the gold lacker you
use it has the appearance of being laid with gold leaf, and if the
pale brass lacker, of being laid with brass, &c., and if you use
the changing varnish you may make it just what colour you wish, by
mixing the three materials in different proportions. For making gold
lacker, put into a clean 4 gallon tin 1 lb. ground turmeric, 1-1/2
oz. powdered gamboge, 3-1/2 lbs. powdered gum sandrack, 3/4 lb.
shellac, and 2 galls. spirits of wine; after being dissolved and
strained add 1 pint of turpentine varnish, receipt No. 112, well
mixed, and it is ready for use.
104. RED SPIRIT LACKER
Take 2 galls. spirits of wine, 1 lb. dragon's blood, 3 lbs. Spanish
annatto, 3-1/2 lbs. gum sandrack, 2 pints turpentine. Made exactly
as the gold lacker.
105. PALE BRASS LACKER
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account