Young's Demonstrative Translation of Scientific Secrets: Or, A Collection of Above 500 Useful Receipts on a Variety of SubjectsYoung, Daniel
Science
Young's Demonstrative Translation of Scientific Secrets: Or, A Collection of Above 500 Useful Receipts on a Variety of Subjects
Young, Daniel
Formulas, recipes, etc.; Science -- Methodology
Another.--Constant white and Indian ink, and a little vermilion.
Another.--White, with a little lake and blue verditer, make a good
cloud colour for that part next the horizon.
Crimson.--Lake and white, with a little vermilion, shaded with lake
and carmine.
Flame Colour.--Vermilion and orpiment, heightened with white.
Another.--Gamboge, shaded with minium and red lead.
Flesh Colour.--Ceruse, red lead, and lake, for a swarthy complexion,
and yellow ochre.
Another.--Constant white and a little carmine, shaded with Spanish
liquorice washed with carmine.
French Green.--Light pink and Dutch bice, shaded with green pink.
Glass Grey.--Ceruse, with a little blue of any kind.
Hair Colour.--Masticot, ochre, umber, ceruse, and cherry-stone
black.
Lead Colour.--Indigo and white.
Light Blue.--Blue bice, heightened with flake white.
Another.--Blue verditer, and white of any sort, well ground.
Light Green.--Pink, smalt, and white.
Another.--Blue verditer and gamboge.
Another.--Gamboge and verdigris. This is chiefly used for the ground
colours of trees, fields, &c.
Lion Tawney.--Red lead and masticot, shaded with umber.
Murrey.--Lake and white lead.
Orange.--Red lead and a little masticot, shaded with umber.
Orange Tawney.--Lake, light pink, a little masticot, shaded with
gall-stone and lake.
Pearl Colour.--Carmine, a little white, shaded with lake.
Popinjay Green.--Green and masticot; or pink and a little indigo,
shaded with indigo.
Purple.--Indigo, Spanish brown, and white; or blue bice, red and
white lead; or blue bice and lake.
Russet.--Cherry-stone black and white.
Scarlet.--Red lead and lake, with or without vermilion.
Sea Green.--Bice, pink and white, shaded with pink.
Sky Colour.--Light masticot and white, for the lowest and lightest
parts; second, red ink and white; third, blue bice and white;
fourth, blue bice alone. These are all to be softened into one
another at the edges, so as not to appear harsh.
Sky Colour for Drapery.--Blue bice and ceruse, or ultramarine and
white, shaded with indigo.
Straw Colour.--Masticot and a very little lake, shaded with Dutch
pink.
Yellow Colour.--Indigo, white, and lake; or fine Dutch bice and
lake, shaded with Indigo; or litmus smalt and bice, the latter
predominant.
Water.--Blue and white, shaded with blue, and heightened with white.
To prevent Colours from Cracking.--Boil 2 ozs. of the best and
clearest glue, with 1 pint of clear water, and a 1/2 oz. of alum,
till dissolved. With this temper those colours intended for the sky.
To make a Solution of Gum.--Dissolve 1 oz. of white gum arabic, and
a 1/2 oz. of double refined sugar, in a quart of spring water;
strain it through a piece of muslin, and bottle it to keep it free
from dust.
To keep Flies from the Work.--Having prepared the gum water for the
colours, add a little coloquintida.
Public-domain text, read in full here on John Shaqi.
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