She was a bright, fairy-like little creature, with beautiful hazel eyes, and a wealth of brown hair on her tiny head that was a veritable crown of glory, reaching below her waist, and looking like a tangle of gold when the sun played upon it; and, somehow or other, she was the life and light of our home, always having a kind word for everybody, and ever acting as the peacemaker when any little difference arose between father and mother, as sometimes happens in most family circles. Father and I when out together in the wherry, talking over home matters, would often wonder where Jenny could have come from, she was so different to all of us; mother being a big stout woman, with dark hair and eyes; while father `belonged to Pharaoh's lean kine,' as the country folks say, being tall, and thin, and wiry, with as little flesh on his bones as a scaffolding pole. In this respect, I may add, he was said to resemble all the Bowlings ever mentioned in history, up to the time of our remote ancestor, the celebrated Tom Bowling of Dibdin's song, who `went aloft' more than a hundred years ago. Aye, she was a pretty little girl was my sister Jenny, though but a mere slip of a thing to me, who almost stood a head and shoulders over her, and she, the mite, quite a year my elder; but, what is more to the purpose, she was as good as she was pretty, taking all the cares of the household off mother's hands and winding her, aye and father too, round her tiny fingers in whatever way she pleased when the fancy took her. I used to like best seeing her, however, amongst the birds. We lived in a queer little double-fronted, old-fashioned cottage near Bonfire Corner. This is close up against the dockyard wall, and not far from the Marlborough Gate, you must know, if you be a stranger to the old town of Portsmouth and that labyrinth of narrow streets lying to the north of Hardway and the harbour. Yes, a labyrinth of rectangular rows, arranged in parallel lines and all precisely alike, of twin two-storied, russet-bricked houses of the same size and pattern, all looking as if they had been turned out of a mould, and all of them having little projecting circular bay-windows of wood, mostly English live oak, or teak from the Eastern Indies. All were painted green alike, and furnished with diamond panes, or bottle glass with bull's-eye centres, of the last century; and all, likewise, had similarly retreating doorways, sheltered by timber pent-houses to keep off the rain, access to them being gained by three or four perpendicular steps, so as to avoid flooding from the rivers of mud that covered the cobblestone roadway in wet weather, overflowing the narrow gutters, and narrower flagging along the side that did duty for a pavement.