Baroja's memoirs afford convincing proof of his contact with radicals of all sorts and classes, from stereotyped republicans such as Barriovero, or the Argentine Francisco Grandmontagne, correspondent of _La Prensa_ of Buenos Aires, to active anarchists of the type of Mateo Morral. Morral was an habitué of a cafe in the Calle de Alcalá at Madrid, where Baroja was accustomed to go with his friends to take coffee, and, in the Spanish phrase, to attend his _tertulia_. Morral would listen to these conversations. After his attempt to assassinate the King and Queen in the Calle Mayor on their return from the Royal wedding ceremony, Baroja went to view Morral's body, but was refused admittance. A drawing of Morral was made at the time, however, by Ricardo Baroja. In this connection, José Nakens, to whom the author pays his compliments on an earlier page, was subjected to an unusual experience. Nakens, who was a sufficiently mild gentleman, had taken a needy radical into his house, and had given him shelter. This personage made a point of inveighing to Nakens continually against Cánovas del Castillo, proposing to make way with him. When the news of the assassination of Cánovas was cried through the city, Nakens knew for the first that his visitor had been in earnest. He was none other than the murderer Angiolillo. This anecdote became current in Madrid. Years afterwards when the prime minister Canalejas was shot to death, the assassin recalled it to mind, and repaired to the house of Nakens, who saw in dismay for the second time his radical theories put to violent practical proof. The incident proved extremely embarrassing. The crime of Morral forms the basis of Baroja's novel _La Dama Errante_. He has also dealt with anarchism in _Aurora Roja_ (Red Dawn). The mutiny on the ship "Numancia," referred to in the text, was an incident of the same period of unrest, which was met with severe repressive measures. NOTE The Madrid Ateneo is a learned society maintaining a house on the Calle del Prado, in which is installed a private library of unusual excellence. It has been for many years the principal depository of modern books in Spain, and a favourite resort of scholars and research-workers of the capital. THE WORKS OF PÍO BAROJA Pío Baroja, recognized by the best critics as the foremost living Spanish novelist, is without doubt the chief exponent of that ferment of political and social thought in Spain which had its inception in the cataclysm of 1898, and which gave rise to the new movement in Spanish literature. Of course this "modern movement" was not actually born in 1898. It dates back as far as Galdós, who is in spirit a modern. But it marked the turning point. Benavente the dramatist, Azorín the critic, Rubén Darío the poet, Pío Baroja the novelist, all date from this period, belonging to and of the new generation, and, together with the Valencian Blasco Ibáñez, form the A B C of modern Spanish culture.