"Baroja stands for the modern Spanish mind at its most enlightened,"
says H. L. Mencken. "He is the Spaniard of education and worldly wisdom,
detached from the mediaeval imbecilities of the old regime and yet aloof
from the worse follies of the demagogues who now rage in the country ...
the Spaniard who, in the long run, must erect a new structure of society
upon the half archaic and half Utopian chaos now reigning in the
peninsular."
Pío Baroja was born in 1872 at San Sebastian, the most fashionable
summer resort of Spain, the Spanish "Summer Capital." Baroja's father
was a noted mining engineer, and while without reputation as a man of
letters he was an occasional contributor to various periodicals and
dailies. He had destined his son for the medical profession, and Pío
studied at Valencia and Madrid, where he received his degree. He started
practice in the small town of Cestona, the type of town which figures
largely in his novels.
But the young doctor soon wearied of his profession, and laying aside
his stethoscope forever, he returned to Madrid, where, in partnership
with an older brother, he opened a bakery. However he was no more
destined to be a cook than a doctor, so, encouraged by interested
friends, he succeeded in getting a few articles and stories accepted by
various Madrid papers. It was not long before he won distinction as a
journalist, and he presently abandoned baking entirely, devoting all his
energies to writing.
His first novel, _Camino de Perfección_, published in 1902, was
received with but little enthusiasm. However he closely followed it with
several others, and Spain soon realized that she had a new writer of
unusual merit. Today he is pre-eminent among contemporary Spanish
authors. His books have been translated into French, German, Italian and
English.
Alfred A. Knopf, Señor Baroja's authorized publisher in the
English-speaking countries, has published to date two of the novels:
THE CITY OF THE DISCREET. Translated by Jacob S. Fassett, Jr. $2.00 net.
Around Cordova, the fascinating and romantic "city of the discreet,"
Baroja has spun an adventurous tale. He gives you a vivid picture of the
city with her tortuous streets, ancient houses with their patios and
tiled roofs and of her "discreet" inhabitants. In a style that is
polished where Ibáñez' is crudely vigorous, and with sympathy and
understanding, he portrays Quentin, the natural son of a Marquis and a
woman of humble birth; Pacheco, the ambitious bandit chief; Don Gil
Sabadia, the garrulous and convivial antiquarian, and a host of other
characters.
"Unforgettable pictures are spread in a rich background for the
action--Cordova at twilight, with its spires showing against the violet
sky, the narrow streets with white houses leaning toward each other,
its squares with sturdy beggars squatting around and its gardens heavy
with the scent of orange blossoms, where old fountains quietly drip."--
_Indianapolis News_.
Public-domain text, read in full here on John Shaqi.
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