It was no wonder that Cressy ran away with young Charley Wilton, who
hadn't a shabby thing about him except his health. He was her first
music teacher, the choir-master of the church in which she sang. Charley
was very handsome; the "romantic" son of an old, impoverished family. He
had refused to go into a good business with his uncles and had gone
abroad to study music when that was an extravagant and picturesque thing
for an Ohio boy to do. His letters home were handed round among the
members of his own family and of other families equally conservative.
Indeed, Charley and what his mother called "his music" were the romantic
expression of a considerable group of people; young cousins and old aunts
and quiet-dwelling neighbours, allied by the amity of several
generations. Nobody was properly married in our part of Columbus unless
Charley Wilton, and no other, played the wedding march. The old ladies of
the First Church used to say that he "hovered over the keys like a
spirit." At nineteen Cressida was beautiful enough to turn a much harder
head than the pale, ethereal one Charley Wilton bent above the organ.
That the chapter which began so gracefully ran on into such a stretch of
grim, hard prose, was simply Cressida's relentless bad luck. In her
undertakings, in whatever she could lay hold of with her two hands, she
was successful; but whatever happened to her was almost sure to be bad.
Her family, her husbands, her son, would have crushed any other woman I
have ever known. Cressida lived, more than most of us, "for others"; and
what she seemed to promote among her beneficiaries was indolence and envy
and discord--even dishonesty and turpitude.
Her sisters were fond of saying--at club luncheons--that Cressida had
remained "untouched by the breath of scandal," which was not strictly
true. There were captious people who objected to her long and close
association with Miletus Poppas. Her second husband, Ransome McChord, the
foreign representative of the great McChord Harvester Company, whom she
married in Germany, had so persistently objected to Poppas that she was
eventually forced to choose between them. Any one who knew her well could
easily understand why she chose Poppas.
Public-domain text, read in full here on John Shaqi.
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