The author he quoted, after contending that there is something in the
soul above intellect, and stating that there are in our nature distinct
energies,--by the one of which we discover and seize, as it were,
on sciences and theorems with almost intuitive rapidity, by
another, through which high art is accomplished, like the statues of
Phidias,--proceeded to state that “enthusiasm, in the true acceptation
of the word, is, when that part of the soul which is above intellect is
excited to the gods, and thence derives its inspiration.”
The author, then pursuing his comment upon Plato, observes, that “one of
these manias may suffice (especially that which belongs to love) to lead
back the soul to its first divinity and happiness; but that there is
an intimate union with them all; and that the ordinary progress through
which the soul ascends is, primarily, through the musical; next, through
the telestic or mystic; thirdly, through the prophetic; and lastly,
through the enthusiasm of love.”
While with a bewildered understanding and a reluctant attention I
listened to these intricate sublimities, my adviser closed the volume,
and said with complacency, “There is the motto for your book,--the
thesis for your theme.”
“Davus sum, non Oedipus,” said I, shaking my head, discontentedly.
“All this may be exceedingly fine, but, Heaven forgive me,--I don’t
understand a word of it. The mysteries of your Rosicrucians, and your
fraternities, are mere child’s play to the jargon of the Platonists.”
“Yet, not till you rightly understand this passage, can you understand
the higher theories of the Rosicrucians, or of the still nobler
fraternities you speak of with so much levity.”
“Oh, if that be the case, I give up in despair. Why not, since you are
so well versed in the matter, take the motto for a book of your own?”
“But if I have already composed a book with that thesis for its theme,
will you prepare it for the public?”
“With the greatest pleasure,” said I,--alas, too rashly!
“I shall hold you to your promise,” returned the old gentleman, “and
when I am no more, you will receive the manuscripts. From what you say
of the prevailing taste in literature, I cannot flatter you with
the hope that you will gain much by the undertaking. And I tell you
beforehand that you will find it not a little laborious.”
“Is your work a romance?”
“It is a romance, and it is not a romance. It is a truth for those who
can comprehend it, and an extravagance for those who cannot.”
At last there arrived the manuscripts, with a brief note from my
deceased friend, reminding me of my imprudent promise.
With mournful interest, and yet with eager impatience, I opened the
packet and trimmed my lamp. Conceive my dismay when I found the whole
written in an unintelligible cipher. I present the reader with a
specimen:
(Several strange characters.)
Public-domain text, read in full here on John Shaqi.
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