It was not the stage that attracted her,
with its hollow falsehoods; it was the land in her own fancy which
the stage seemed to centre and represent. There the poetry found a
voice,--there it struggled into imperfect shape; and then (that land
insufficient for it) it fell back upon itself. It coloured her thoughts,
it suffused her soul; it asked not words, it created not things; it gave
birth but to emotions, and lavished itself on dreams. At last came love;
and there, as a river into the sea, it poured its restless waves, to
become mute and deep and still,--the everlasting mirror of the heavens.
And is it not through this poetry which lies within her that she may
be led into the large poetry of the universe! Often I listen to her
careless talk, and find oracles in its unconscious beauty, as we find
strange virtues in some lonely flower. I see her mind ripening under my
eyes; and in its fair fertility what ever-teeming novelties of thought!
O Mejnour! how many of our tribe have unravelled the laws of the
universe,--have solved the riddles of the exterior nature, and deduced
the light from darkness! And is not the POET, who studies nothing but
the human heart, a greater philosopher than all? Knowledge and atheism
are incompatible. To know Nature is to know that there must be a God.
But does it require this to examine the method and architecture of
creation? Methinks, when I look upon a pure mind, however ignorant and
childlike, that I see the August and Immaterial One more clearly than in
all the orbs of matter which career at His bidding through space.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account