Pass over the congratulations of the good Cardinal-Virtuoso, astonished
at finding himself and all Naples had been hitherto in the wrong on
a subject of taste,--still more astonished at finding himself and all
Naples combining to confess it; pass over the whispered ecstasies of
admiration which buzzed in the singer’s ear, as once more, in her modest
veil and quiet dress, she escaped from the crowd of gallants that choked
up every avenue behind the scenes; pass over the sweet embrace of father
and child, returning through the starlit streets and along the deserted
Chiaja in the Cardinal’s carriage; never pause now to note the tears and
ejaculations of the good, simple-hearted mother,--see them returned;
see the well-known room, venimus ad larem nostrum (We come to our own
house.); see old Gionetta bustling at the supper; and hear Pisani, as he
rouses the barbiton from its case, communicating all that has happened
to the intelligent Familiar; hark to the mother’s merry, low, English
laugh. Why, Viola, strange child, sittest thou apart, thy face leaning
on thy fair hands, thine eyes fixed on space? Up, rouse thee! Every
dimple on the cheek of home must smile to-night. (“Ridete quidquid est
domi cachinnorum.” Catull. “ad Sirm. Penin.”)
And a happy reunion it was round that humble table: a feast Lucullus
might have envied in his Hall of Apollo, in the dried grapes, and
the dainty sardines, and the luxurious polenta, and the old lacrima a
present from the good Cardinal. The barbiton, placed on a chair--a tall,
high-backed chair--beside the musician, seemed to take a part in the
festive meal. Its honest varnished face glowed in the light of the lamp;
and there was an impish, sly demureness in its very silence, as its
master, between every mouthful, turned to talk to it of something he had
forgotten to relate before. The good wife looked on affectionately, and
could not eat for joy; but suddenly she rose, and placed on the
artist’s temples a laurel wreath, which she had woven beforehand in fond
anticipation; and Viola, on the other side her brother, the barbiton,
rearranged the chaplet, and, smoothing back her father’s hair,
whispered, “Caro Padre, you will not let HIM scold me again!”
Then poor Pisani, rather distracted between the two, and excited both by
the lacrima and his triumph, turned to the younger child with so naive
and grotesque a pride, “I don’t know which to thank the most. You give
me so much joy, child,--I am so proud of thee and myself. But he and I,
poor fellow, have been so often unhappy together!”
Public-domain text, read in full here on John Shaqi.
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