Zen Buddhism, and Its Relation to ArtWaley, Arthur
Religion
Zen Buddhism, and Its Relation to Art
Waley, Arthur
Buddhist art; Zen Buddhism
[3] Dr. McGovern tells me that Zen would seem to be more immediately
derived from the Nihilistic School of Nāgārjuna (1st century
A.D.).
Yet though his whole teaching turned on this “meditation” or “Zen,”
he left behind him no exact directions for the practice of it. Having
shown the end, he left it to each individual to find his own means.
Rules, dogmas and definitions were precisely what he set out to destroy.
Less than a hundred years after his death another Indian, Buddhapriya,
came to China and there defined with exactitude and blunt materiality
the various forms of meditation.
The transition from the spirituality of Bodhidharma to the grossness of
his follower is, however, typical of religious history. The poetry of
Christ turns into the theology of Paul; the hovel of Saint Francis into
the mansion of Brother Elias.
BUDDHAPRIYA.
He first describes the different attitudes in which Zen may be
practised, with an exact account of the correct position for hands,
feet, head, etc. The normal attitude of meditation, cross-legged, with
upright back and hands locked over the knees is familiar to every one.
Zen could also be practised while walking and, in cases of sickness,
while lying down. Buddhapriya’s instructions are in the form of
question and answer.
_Question._--How does the Zen practised by heretics and by the
other schools of Buddhism differ from our Zen?
_Answer._--The Zen of the heretics is not impersonal. The Zen of
the Lesser Vehicle is material. The Zen of the Greater Vehicle
only abstracts man and phenomena.
_Question._--How ought one to set about practising Zen?
_Answer._--First put far away from you all anger and malice, and
fill your heart with kindness and compassion.
_Question._--Can the beginner at once proceed to the contemplation
of non-Being?
_Answer._--By no means! He must by stratagems gradually enter in.
I have never yet seen one who straightway achieved the vision of
non-Reality. If for example he were meditating in this room he
must first banish from his mind every part of the world except the
city of Ch’ang-an. Next every building in the city except this
monastery. Next, every room in the monastery except this cell,
every object but himself, every part of himself except the end of
his nose. Finally the end of his nose hangs in space like a drop of
dew and on this nose-end he concentrates his mind.
This is only a preliminary exercise. There are others of the same
kind. For example--persuade yourself that your navel is a minute
rivulet running through the sands. When this conception is firmly
achieved, you will see a bright light and ultimately, the body
growing transparent, you will behold the working of your bowels.
Public-domain text, read in full here on John Shaqi.
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