7. Earl Miner, An Introduction to Japanese Court Poetry (Stanford, Calif.: Stanford University Press, 1968), p. 9. CHAPTER 4 THE CHRONICLES OF ZEN 1. Essays in Zen Buddhism: First Series, trans. D. T. Suzuki (London: Grove Press, 1949), p- 181. 2. Translated in A Buddhist Bible, ed. Dwight Goddard (Boston: Beacon Press, 1970), p. 315. 3. Ibid., p. 323. 4. Chuang Tzu, Basic Writings, trans. Burton Watson (New York: Columbia University Press, 1964), p. 94. 5. The Sutra of Hui Neng, trans. A. F. Price and Wong Mou- Lam (Berkeley: Shambala, 1969) p. 1 5. 6. Ibid., p. 18. 7. The Diamond Sutra, trans. A. F. Price and Wong Mou-Lam (Berkeley: Sliambala, 1969), p. 37. 8. de Bary, Sources of Japanese Tradition, 1: 236. 9. George Sansom, A History of Japan to 1334 (Stanford, Calif.: Stanford University Press, 1958), p. 429. 10. Dogen Zenji, Selling Water by the River, trans. Jiyu Kennett (New York: Pantheon, 1972), p. 115. CHAPTER 5 ZEN ARCHERY AND SWORDSMANSHIP 1. D. T. Suzuki, Zen and Japanese Culture (Princeton, N.J.: Princeton University Press, 1959), p. 146. CHAPTER 6 THE GREAT AGE OF ZEN 1. de Bary, Sources of Japanese Tradition, 1: 255. CHAPTER 7 ZEN AND THE LANDSCAPE GARDEN 1. David H. Engel, Japanese Gardens for Today (Rutland, Vt.: Tuttle, 1959). CHAPTER 9 ZEN AND THE INK LANDSCAPE 1. Seiroku Noma, Artistry in Ink (New York: Crown, 1957), p. 3. 2. Two Twelfth-Century Texts on Chinese Painting, trans. R. J. Maeda (Ann Arbor: University of Michigan Papers in Chinese Studies, No. 8, 1970), p. 17. 3. Osvald Siren, The Chinese on the Art of Painting (New York: Schocken, 1963), p. 97. 4. Ernest F. Fenollosa, Epochs of Chinese and Japanese Art (New York: Dover, 1963), 2: 11. (Reprint.) CHAPTER 10 THE ZEN AESTHETICS OF JAPANESE ARCHITECTURE x. Lafcadio Hearn, Gleanings in Buddha-Fields (Rutland, Vt.: Tuttle, 1971), p. 1. (Reprint.) 2. For a fuller discussion of early Japanese architecture, see Arthur Drexler, The Architecture of Japan (New York: Arno Press, 1955) 3. An excellent discussion of _shibui _may be found in Anthony West's essay, "What Japan Has That We May Profitably Borrow," House Beautiful, August 1960. 4. Ralph Adams Cram, Impressions of Japanese Architecture (New York: Dover, 1966) p. 127. (Reprint.) 5. Heinrich Engel, The Japanese House (Rutland, Vt.: Tuttle, 1964) pp. 373-374. CHAPTER 11 THE NO THEATER 1. R. H. Blyth, Eastern Culture (Tokyo: Hokuseido, 1949), 1: 146. 2. de Bary, Sources of Japanese Tradition, 1: 278. 3. Charles K. Tuttle, The Noh Drama (Nippon: Giakujutsu Shinkokai, 1955), p. 130. CHAPTER 1 2 BOURGEOIS SOCIETY AND LATER ZEN 1. Joao Rodrigues, This Island of Japan, trans. Michael Cooper (Tokyo: Kodansha, 1973), pp. 272-273. CHAPTER 13 THE TEA CEREMONY 1. Suzuki, Zen and Japanese Culture, p. 299. 2. Ibid., p. 305. CHAPTER 14 ZEN CERAMIC ART